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Traces of empire
Thomas Jorion, Hôtel de la Marine or hôtel des Mines, Antsiranana (Diégo-Suarez), Madagascar, circa 1920, 2014
Fine art print on Canson Infinity rag, 96 x 120 edition of 8 or 120 x 150 edition of 5
© Thomas Jorion, courtesy Galerie Esther Woerdehoff

Thomas Jorion »

Traces of empire

Exhibition: 18 Oct – 26 Nov 2016

Galerie Esther Woerdehoff

36 rue Falguière
75015 Paris

+33(0)9-51 51 24 50


www.ewgalerie.com

Wed-Sat 12-19

Traces of empire
Thomas Jorion, Religious institution (Prabartak Ashram), Chandernagor, 1920, India, 2014
Fine art print on Canson Infinity rag, 96 x 120 edition of 8 or 120 x 150 edition of 5
© Thomas Jorion, courtesy Galerie Esther Woerdehoff

Thomas Jorion
"Traces of empire"


Exhibition: 18 October – 26 November, 2016
Opening reception: Tuesday 18 October, 6 to 9 pm
The artist will be present and will be signing his book.

Traces of empire, the ruins of French imperialism, here is the new series of photographer Thomas Jorion, exhibited exclusively at the Galerie Esther Woerdehoff and accompanied by the release of a book published by La Martinière. Well known for his work on abandoned places (published under the title Silencio in 2013), the French photographer has spent the last years travelling the world to realize his new project on colonial history.

If one is easily charmed by the pastel colors of decrepit walls, the quaint elegance of the architecture and the atmosphere of his photographs that echoes exotic readings and adventures, Thomas Jorion reminds us of this particular chapter of French history. He traveled throug continents, from Louisiana to Shanghai, from Guadeloupe to Senegal in search of a forgotten heritage, without a committment to exhaustiveness but with the desire to make a sincere portrait of the gone French colonial empire and its ruins.

Traces of empire
Thomas Jorion, Private villa, delta du Mékong, Vietnam, 2015
Fine art print on Canson Infinity rag, 96 x 120 edition of 8 or 120 x 150 edition of 5
© Thomas Jorion, courtesy Galerie Esther Woerdehoff

An gap separates the gates of Saint Joseph prison in Guyana, a villa in Indochina or the facade of the Rex cinema in Oran, yet all represent the last traces of the colonial empire. Courthouse, church, palace, building yard, slaughterhouse or factory, a lush vegetation sometimes invaded the buildings to swallow up constructions under vines and roots. Yet despite the peeling walls and cracks, they are not always deserted and their inhabitants enliven some photographs, as contemporary apparitions that seem to regain possession.

Like the photographers of the 19th century leaving on expeditions to capture the outside world, Thomas Jorion adopts a heavy and bulky equipment, using a large format camera, and made the radical choice to use the last negative analogic films. Traces of empire photographs are portraits of places, landscapes, views of architecture but also testimonials, vanities of history and of the “glorious” past of the French Empire. Exposed as large stunning prints, the photographs of Thomas Jorion open windows on this somewhere else, a forgotten past that still affects our time. This exhibition will be accompanied by the publication of the book Traces of empire, by La Martinière, texts by François Cheval and Thomas Jorion. Book to be published in October 2016. (Florence Pillet)

French photographer born in 1976, Thomas Jorion lives in Paris and travels the world to achieve his singular and timeless landscapes. Self-taught photographer, he creates his photographs in natural light using an analogue large format camera. He captures places in ruins or abandoned, and allows us to rediscover and to imagine their past glory in a bygone era. In 2013, La Martinière editions published Silencio, a work that combines several of his series: Forgotten Palace, The other America, Konbini, The Quest of the soviets ... For many years, Thomas Jorion has been focusing his photographic exploration on the former colonies; this new series will lead to a second book published by La Martinière and will also be exhibited at the gallery.

Traces of empire
Thomas Jorion, Villa, Kep (Kep-sur-mer), Cambodge, 2013
Fine art print on Canson Infinity rag, 96 x 120 edition of 8 or 120 x 150 edition of 5
© Thomas Jorion, courtesy Galerie Esther Woerdehoff
Traces of empire
Thomas Jorion, Tribunal de première instance, entrée, Chandernagor, Inde, 2014
Fine art print on Canson Infinity rag, 96 x 120 edition of 8 or 120 x 150 edition of 5
© Thomas Jorion, courtesy Galerie Esther Woerdehoff
Traces of empire
The book Traces of empire
Photographies by Thomas Jorion,
texts by François Cheval, curator of the Musée Niépce in Chalon-sur-Saône and by Thomas Jorion (in French and in English)
240 pages - 59 euros
Published by La Martinière