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Buenos Aires - Southern Light
Secret Doorway, Buenos Aires, 2017 © Michael Eastman

Michael Eastman »

Buenos Aires - Southern Light

Exhibition: 16 Nov 2017 – 20 Jan 2018

Thu 16 Nov 18:00 - 20:00

Edwynn Houk Gallery

745 Fifth Avenue
NY 10151 New York

+1-212-7507070


www.houkgallery.com

Tue-Sat 11-18

Buenos Aires - Southern Light
Colegio Passage, Buenos Aires, 2017 © Michael Eastman

Edwynn Houk Gallery is pleased to announce an exhibition of large-scale photographs by Michael Eastman (American, b. 1947). The show opens on Thursday, 16 November 2017 and runs through Saturday, 20 January 2018. The artist will be present at the opening reception on 16 November from 6-8pm.

The exhibition features unexpected photographs of iconic interiors in Buenos Aires. It is natural that Michael Eastman, whose works tell stories through the details of interiors located throughout the world, found rich material and inspiration in this city. In the late 19th and early 20th centuries, Buenos Aires staged ambitious and extravagant architectural projects to brandish its wealth, its stunning architecture helping the city earn its nickname “the Paris of South America.” Latin America’s tallest building and a series of neoclassical palaces were amongst the feats the city boasted. While Buenos Aires proudly retains this legacy today, still teeming with examples of architectural achievement from its belle époque, many of its buildings show signs of the country’s recent political and economic hardships. Eastman’s series illuminates how these interiors, captured a century after their heyday, have not dimmed with time but rather become more intriguing in their age.

At the heart of each photograph is an essential element of surprise: an electric blue light illuminating the doorway of a classic palace, the psychedelic twist of a spiral staircase, the blazing reflection of light in an entirely golden theater. These details dazzle, but equally important is what is absent from these photographs. Each interior is largely devoid of contemporary design, technology, and, somewhat hauntingly, inhabitants. A college stairwell transports no students, an opera stage hosts no performers or audience members—these scenes raise the question, without people, what are the functions of these rooms? Eastman’s photographs present complex tableaux of Buenos Aires’ vibrant history, juxtaposing the splendor of a bygone golden age with present-day realities.

Buenos Aires - Southern Light
Golden Theater #2, Buenos Aires, 2017 © Michael Eastman

Michael Eastman was born in St. Louis, Missouri and studied at the University of Wisconsin. He is the recipient of a National Endowment for the Arts grant, the National Addy Award, and a Paris Photo BMW Finalist award. His work is in numerous private and public collections, including the Art Institute of Chicago of Chicago, IL; the Metropolitan Museum of Art, NY; the High Museum of Art, Atlanta, GA; the International Center of Photography, NY; the Los Angeles County Museum of Art, CA; the San Francisco Museum of Modern Art, CA; and the Saint Louis Art Museum, MO. His publications include Havana (Prestel, 2011), Vanishing America (Rizzoli, 2008), and Horses (Knopf, 2003). Eastman currently lives and works in St. Louis.

Buenos Aires - Southern Light
White Palace, Buenos Aires, 2017 © Michael Eastman