Baptiste Rabichon uses photography in a way that gives new meaning to the idea of a material-carrying content. His work proposes a set of sensations and impressions. His discourse is constructed through the use of complex manufacturing tools and protocols, mixing new technologies and old techniques; an experiment in which fantasy coincides with admiration for the great ancestors.

As a good gardener, that is to say craftsman, the artist strives to use the best processes: film and digital, focusing on one single occupation, the need to provide a new sensibility for our époque, an animistic resolution, living forms of matter.

Beauty appears here in the form of a loving union; a reconciliation between beings, objects and plants.


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