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THE LIVING, THE DEAD AND THOSE AT SEA
Evangelia Kranioti, Eu sou obscura para mim mesma, from the Obscuro Barroco series.

Evangelia Kranioti  »

THE LIVING, THE DEAD AND THOSE AT SEA

Exhibition: 1 Jul – 22 Sep 2019

Les Rencontres de la Photographie

34, rue du Docteur Fanton
13200 Arles

+33 (0)4-90967606


www.rencontres-arles.com

THE LIVING, THE DEAD AND THOSE AT SEA
Evangelia Kranioti, Armazém frigorífico, from the Exotica, Erotica, Etc. series.

EVANGELIA KRANIOTI
THE LIVING, THE DEAD AND THOSE AT SEA

Chapelle Saint-Martin du Méjan
1 JULY - 22 SEPTEMBER

Evangelia Kranioti explores the borderlines of the world and captures individual destinies caught in the net of Man’s trade. Cargo ports, highways, the backstage of a carnival, graveyards, war ruins: settings of both ceaseless transit and immobilized lives, nailed to the ground or anchored at sea. In her project Exotica, Erotica, Etc., long-distance sailors await the next stopover, longing to form temporary and priced loves. In Obscuro Barroco, the urban queer scene unfolds in Rio de Janeiro, a vertiginous territory of gender and metamorphosis. In Beirut Fictions, African and Asian maids are confined to a foreign country, Lebanon, with no hope of integration. Finally, in Era Incognita, it is the living who migrate to the home of the dead, in Cairo’s necropolis, driven by the housing crisis in Egypt. In the heart of her work, faces and bodies meet and reflect each other across the oceans. Thus, Kranioti weaves the cartography of a vulnerable and marginalized group that she places at the center: the fresco of a community of outsiders which transcends the borders of the Mediterranean, matrix of exiles.
Léandre Bernard-Brunel

Exhibition curator: Matthieu Orléan.
Prints by Picto, Paris.
Framing by Circad, Paris.
Wallpapers by Atelier SHL, Arles

With support from the Sator gallery and Les Abattoirs, Musée – Frac Occitanie, Toulouse.

Evangelia Kranioti is nominated for the Prix de la Photo Madame Figaro Arles 2019.

LIBUŠE JARCOVJÁKOVÁ   EVOKATIV
EVANGELIA KRANIOTI   THE LIVING, THE DEAD AND THOSE AT SEA
PIXY LIAO   EXPERIMENTAL RELATIONSHIP
MARINA GADONNEIX   PHENOMENA
PHILIPPE CHANCEL   DATAZONE
MOHAMED BOUROUISSA   FREE TRADE
GERMAINE KRULL   & JACQUES RÉMY, A VOYAGE, MARSEILLE-RIO 1941
MARIO DEL CURTO   VEGETAL HUMANITY, AS THE GARDEN UNFURLS
HELEN LEVITT   OBSERVING NEW YORK'S STREETS
TOM WOOD   MOTHERS, DAUGHTERS, SISTERS
VALÉRIE BELIN   PAINTED LADIES
YANN POCREAU   CATHEDRAL
LAURENCE AËGERTER   CATHÉDRALES HERMÉTIQUES
CLAUDE MARTIN-RAINAUD   CAMERA OBSCURA
RANDA MIRZA   EL-ZOHRA WASN'T BORN IN A DAY
CAMILLE FALLET   LICENSE COLOR PHOTO STUDIO
MARJAN TEEUWEN   DESTROYED HOUSE
CHRISTIAN LUTZ   ELDORADO
EMERIC LHUISSET   WHEN THE CLOUDS SPEAK
MÁTÉ BARTHA   KONTAKT
STEEVE BAURAS   WHITE DREAMS EXTENDED
DAVID DE BEYTER   THE SKEPTICS, RELICS OF TECHNOLOGICAL GODDESS
STACY KRANITZ   AS IT WAS GIVE(N) TO ME
JJ LEVINE   FAMILY
MERYL McMASTER   AS IMMENSE AS THE SKY
HANAKO MURAKAMI   CONCEPTION
SHINJI NAGABE   BANANA REPUBLIC
LAURE TIBERGHIEN   SUITE…
ALYS TOMLINSON   THE FAITHFUL
LEI LEI   ROMANCE IN LUSHAN CINEMA
KURT TONG   COMBING FOR ICE AND JADE
GUILLAUME SIMONEAU   MURDER