Part of the fascination with all photography is that the medium is firmly grounded in the documentary tradition. It has been used as a record of crime scenes, zoological specimens, lunar and space exploration, phrenology, fashion and importantly, art and science. It has been used as ‘proof’ of simple things such as family holidays and equally of atrocities taking place on the global stage. Any contemporary artist using photography has to accept the evidential language embedded in the…

The Michael Hoppen Gallery is delighted to announce Simon Norfolk’s third exhibition of photographs with the gallery: Time Taken, a poetic tracing of time on the war-torn landscape of Afghanistan. Between 2013 and 2014 Simon Norfolk visited the Bamiyan Valley in Afghanistan, an area of the country once famous for its 170 foot tall Buddhas and more so now for their demise at the hands of the Taliban in 2001. Setting up his camera at over a dozen locations over a twelve-month period…

Burke + Norfolk: Photographs from the war in Afghanistan13th May - 18th June 2011“Burke is an enigma; working with him was like looking for a man amongst shadows. He left no diaries or records, unlike other Imperial photographers from the same generation. There are no photographs of him. In a couple of sketches we see him from behind, but never his face; that has to be more than just reticence, surely?”  Simon NorfolkMichael Hoppen Contemporary is pleased to …

We are delighted to announce Full Spectrum Dominance, the first solo exhibition of work by Simon Norfolk at Michael Hoppen Contemporary. This new series of photographs of military rocket and missile launches in America continues Norfolk's exploration of the Sublime in the landscape. To capture these images, Norfolk gained access into the guarded world of satellite launches and nuclear missile tests at locations including Cape Canaveral and Vandenberg Air Force Base in California. These missile…