 Histoire(s) de la photographieBringing together more than 500 photographs and documents by some 120 historical and contemporary photographers, “Corps à corps” (Body to body) offers a unique insight into photographic representations of the human race in the 20th and 21st centuries.
more Nouvelles technologies et économies de la photographieAs a project in artistic research conducted by historian of photography Estelle Blaschke and photographer Armin Linke, “Capital Image” examines a mechanism inherent in photography: transforming the visible world into a visual archive to be exploited.
Avec la participation de l'INRAP (Institut National de Recherches Archéologiques Préventives), du MC (Ministère de la Culture), EPRNDP (Établissement public chargé de la conservation et de la restauration de la cathédrale Notre-Dame de Par… moreLa photographie en spectacle This exhibition project asks a simple question: how does photography attest to the situation of the refugees living in camps on the outskirts of the city of Calais? Through three approaches, that of documentary artist Bruno Serralongue and his Calais series (2006-2018), images by the photographers of the France Presse Agency published by the media, and finally, testimonies from the migrants themselves, the exhibition aims to present and explore the various functions, roles, and statuses of image… more A filmmaker attuned to otherness, awarded the César for best documentary in 2012 for Les Invisibles, Sébastien Lifshitz has been a passionate collector of amateur photographs since childhood. After Mauvais genre, in 2016, he now presents the exhibition Photo perdue, photo trouvée, bringing together more than 400 images from his private collection. Devised as a subjective anthology of vernacular photography, Sébastien Lifshitz reveals an intimate dimension of his artis… morepaintings, drawings, sketches and photographs.Louvre Auditorium, Centre Pompidou, Forum des images, Le Carreau du Temple La photographie sociale et documentaire en France. 1928-1936“Photography as a weapon of class” are the words with which the journalist Henri Tracol (1909–1997) begins his manifesto on unifying the photography section of the association of revolutionary writers and artists (AEAR). The association was founded in Paris in 1932, against a background of growing political, economic and social upheaval, and brought together, alongside other sectors of the artistic and cultural domain (theatre, music, cinema, literature, painting, etc.) some of… more film, photography, video art and performanceIn collaboration with the Castello di Rivoli, the Centre Pompidou is to present the first ever retrospective – in either France or Italy – of the work of Nalini Malani, a pioneer of film, photography, video art and performance in India. Organised in two successive instalments, one in each of the two museums, the exhibition retraces the fifty-year career of this major artist.
Nalini Malani was born in Karachi in 1946, and her practice as an artist is informed by her childhood experie… moremajor retrospective including painting, drawing, photography, and videoKOLLEKTSIA+ ART CONTEMPORAIN EN URSS ET EN RUSSIE UNE NOUVELLE DONATION Cinéastes en correspondancesthe Christian Bouqueret photography collectionNouveau Cinema & Art Contemporain13eme Prix de la Fondation RicardUne trajectoire de l'art video de 1963 a 1983HORS PISTES 2012 - UN AUTRE MOUVEMENT DES IMAGESvidéos d'artistes de la collection du Musée national d'art moderneArtistes femmes dans les collections du musee national d'art modernethe works of over fifty artists mostly hailing from Central and Eastern EuropeModern-life painters - Donation - Caisse des Dépôts' photograph collectionLes nouveaux européens par dix photographes de Magnumvast works on paper, in which she combines photography, painting and drawing.© Nan Goldin . Valerie and Gotscho embraced, Paris, 1999, Cibachrome |
