Since years Claudia Rogge is working on the two seemingly paradox and contrasting phenomena, individualism and mass society. She has sounded out her subject matter in different ways and with different strategies.
Her method of working is similar to that of a surrealist film director paying lip service to painterly traditions in order to fix them photographically – in the filmic style of an invented film. The dynamics of her works set a great movement into motion, which pauses once in …
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