Lyle Ashton Harris returns to performance for the first time in over a decade with AKA Daddy, a new experimental multi-channel video installation that represents a highly personal engagement with loss through ritual expressions of public grief and mourning. Drawing upon motifs both archetypal and ethnographic, AKA Daddy explores the cathartic potential of communal reenactment for working through the complex, transferential affects evoked by the figure of the (absent) father, whether resulting fr…
more
