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Exhibitions at CCA Wattis Institute for Contemporary Art

Wattis Institute for Contemporary ArtUS

Wattis Institute for Contemporary Art
360 Kansas Street
CA 94107 San Francisco

+1-415-355 9670


www.wattis.org

Mon-Fri 11-18

Akosua Adoma Owusu

Welcome to the Jungle

Welcome to the Jungle

9 May – 27 Jul 2019
For her solo exhibition

Welcome to the Jungle

,
Owusu will adapt a selection of her films to premiere in a brand new installation. In addition to the institutional debuts of
White Afro
(2019) and
Pelourinho, They Don’t Really Care About Us
more

Wattis Institute for Contemporary ArtUS

Wattis Institute for Contemporary Art
1111 Eighth Street
CA 94107 - 2247 San Francisco

+1-415-355 9670


www.wattis.org

Mon-Fri 11-18

Irreducible

Irreducible

19 Jan – 19 Mar 2005
The CCA Wattis Institute for Contemporary Arts presents "Irreducible: Contemporary Short Form Video," an international survey featuring video work by artists from over 20 countries. "Irreducible" brings together recent works that are structured around a single situation, action or individual and often reinterpret the process-oriented concerns of performance and conceptual art from the 1970s, while exploring an expanded social and psychological landscape.

The exhibition is on view from January 1… more

Wattis Institute for Contemporary ArtUS

Wattis Institute for Contemporary Art
1111 Eighth Street
CA 94107 - 2247 San Francisco

+1-415-355 9670


www.wattis.org

Mon-Fri 11-18

The Gray Area - Uncertain Images: Bay Area Photography 1970s to now

The Gray Area - Uncertain Images: Bay Area Photography 1970s  to now

3 Dec 2003 – 14 Feb 2004
The Gray Area seeks to reimagine the Bay Area as the "Gray Area"—an amorphous, ambiguous, and ultimately fictional geography, pervaded by uncertainty and doubt—by exploring some of the tensions between objectivity and subjectivity in Bay Area photography produced over the past three decades. The selection of artists and works is intentionally broad, yet behind each image there exists a substantial investment in photography's potential to create a sense of unease.

Many of the works in The Gr… more