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| PHOTOGRAPHY INTERNATIONAL |
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23 - 30 November 2016 |
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On Tuesday Nov 29 Art Miami and Context will start the Art Week Miami 2016, Art Basel Miami Beach on Wednesday Nov 30 and PULSE on Thurs Dec 1.
More than 500 exhibitors will exhibit more than 1,000 artworks in photography and videoart. |
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| Factoid 1, digital collage, 2016 © Creative commons BY-NC Seen By #7: Moles |
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SEEN BY #7: MOLES |
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25 November 2016 – 8 January 2017 |
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Opening: Thursday, 24 November, 7pm |
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| “Moles” is the seventh issue of the ongoing exhibition series "Seen By", a collaboration between the Universität der Künste Berlin and the Staatliche Museen's Kunstbibliothek at the Museum für Fotografie, introduced to challenge curatorial and artistic strategies for working with photography in contemporary art. |
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The New Dutch Photography Talent
The 100 most appealing and upcoming photography talents from The Netherlands - book & exhibition
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Thu 24 Nov 19:00
24 Nov 2016 – 30 Jan 2017 |
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© Ann-Christine-Jansson: "60 PLUS EIN GESICHTGEBEN", 2015, 50 x 70 cm |
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Wed 23 Nov 19:00
24 Nov – 30 Nov 2016
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Sjoerd Knibbeler: Current Study #6, 2014 |
Sjoerd Knibbeler: Current Study #1, 2013 |
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26 November 2016 – 14 January 2017 |
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Opening reception: Friday, 25 November, 7pm |
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The work of Sjoerd Knibbeler focuses on visualising invisible natural phenomena such as the wind, air movement and climatological conditions. Knibbeler creates a world that follows his own logic, where associative relationships and imagination play a key part. He is inspired by subjects such as flying, aeroplanes, aerodynamics and climatology. "Digging Up Clouds" brings together various projects by Knibbeler related to these themes. In addition to photos from the Current Studies series, several spatial works are presented, such as the Paper Planes series. |
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Andrèas Lang: "Welcome", Jerusalem 2007 |
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Fri 25 Nov 19:00
25 Nov 2016 – 4 Feb 2017
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Leonore Mau: Trance im Fluss, Grenada, 1978
© Nachlass Leonore Mau, S. Fischer Stiftung |
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27 Nov 2016 – 23 Apr 2017
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© Andy Spyra, aus der Serie "Exilium. Das Verschwinden des Christentums aus dem Nahen Osten" |
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Fri 25 Nov 19:30
25 Nov 2016 – 29 Jan 2017
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| Sunglasses Lake Lucerne Switzerland, 1936 © Herbert List / Magnum Photos |
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THE PSYCHIC LENS |
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SURREALISM AND THE CAMERA |
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24 November 2016 – 28 January 2017 |
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A new exhibition of nearly 50 works at Atlas Gallery will explore how photographers responded to Surrealism over the course of over 50 years. The Psychic Lens: Surrealism and the camera, will include vintage photographs by well-known figures such as Man Ray, Andre Kertesz, Florence Henri and Bill Brandt alongside rarely seen works by artists such as Vaclav Zykmund and Franz Roh to tell the story of Surrealism through photography.
Surrealism was an avant-garde movement in art and literature beginning in the 1920s when artists began to experiment with ways of unleashing the subconscious imagination. Poet Andre Breton is credited with launching the movement in Paris in 1924. Over time the influence of the movement spread far and wide, as evidenced in the inclusion of collages by Japanese artist, Toshiko Okanoue from the 1950s, which will be on show in the exhibition. |
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Tatjana in Sand (B), St Barthelemy, 1987
© Herb Ritts Foundation, Courtesy of Hamiltons Gallery |
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25 November 2016 – 27 January 2017 |
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Hamiltons is the sole representative for world-renowned American photographer Herb Ritts in the UK. This exhibition celebrates the enduring legacy of Ritts’s photography and the gallery’s longstanding relationship with the Herb Ritts Foundation, with a selection of rare vintage gelatin silver prints of supermodels from the Foundation’s archive.
Ritts was largely self-taught with no formal training in photography, yet by the late 1980s he had become a celebrity, just like the people he photographed, “a testament to his natural talents and likeability... Some people are born visually sophisticated – they don’t have to be taught composition.” (David Fahey) Ritts played an important role in ushering the era of the supermodel, “he made the models ‘super’”, and he captured images of some of the most noted individuals in film, fashion, music, politics and society. Ritts’s big break came in 1979 with portraits of the budding actor Richard Gere, which were published by Vogue, Esquire and Mademoiselle all in the same month.
Ritts’s lack of formal training is partially the reason his style became so distinctive. Ritts, unlike many of the studio based photographers of the time, preferred to work outdoors and had very simple equipment requirements, often working without a tripod. The “anti-glamour” photographer, Ritts photographed his supermodels outside to make use of the natural afternoon Los Angeles light, often at the beach or in the desert. As Naomi Campbell said: “You just fall in love with that light – it’s Herb’s light”. Ritts was drawn to elemental places, where he could use the sea, sand and sky as backgrounds, and so his hometown of Los Angeles would become inextricably linked to his success, due both to the people living there and its outdoorsy lifestyle. “Herb lived that light, he grew up with that light, with that sun, with that water, with those elements, with the sand…” (Steven Meisel) |
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vb.flaunt_magazine, 2013
©2016 Vanessa Beecroft |
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Photo VOGUE Festival 2016
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Thu 24 Nov 11:00
24 Nov – 29 Nov 2016
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AD 7272, 2014, from the Acido Dorado series,
chromogenic print © MonaKuhn |
AD7268, 2014 from the Acido Dorado series,
chromogenic print © MonaKuhn |
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– 17 December 2016 |
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In conjunction with Photo Saint Germain, Catherine and André Hug Gallery present "Mona Kuhn: New Works" a selection of photographs from Kuhn’s two most recent bodies of work, Private and Acido Dorado.
Kuhn begins each series with a specific color palette and emotion in mind; consequently each body of work is like a lyrical ballad, opening up a dialogue about the human body’s interaction with its physical environment. Her primary focus is the body, and though her early work leans more towards traditional figuration, these pieces see her actively broaden her scope, turning her attention to landscape, abstraction, and the body’s relationship to architecture.
Acido Dorado is set inside architect Robert Stone’s secluded modernist structure in Joshua Tree National Park, California. In this series, Kuhn and her subject, close friend and long- time collaborator Jacintha, explore pools, mirrored ceilings and glass walls to produce sandy- colored hallucinations filled with dreamy light leaks and seductive reflections. Landscapes, architectural details, reflections and a single figure repeatedly obscured and dislocated create photographs that verge on abstraction. Kuhn playfully combines a number of visual strategies; patterning, translucency, and reflectivity and conflates them with the casual closeness of a photographer and her subject... |
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Elina Brotherus: Der Wanderer 2, 2004, aus "The New Painting", Chromogenic color print, 80 x 63 cm
Courtesy of the artist and gb agency, Paris |
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Thu 24 Nov 19:00
25 Nov 2016 – 21 Jan 2017
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© Martin Leuze |
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Abstrakte Stadtlandschaften
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Wed 23 Nov 19:30
24 Nov 2016 – 22 Jan 2017
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Robert Haas: ON A MOTORCYCLE, BURGENLAND, 1937
© Wien Museum/Sammlung Robert Haas |
Robert Haas: ON THE FERRY, NEW YORK CITY
© Wien Museum/Sammlung Robert Haas |
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24 November 2016 – 26 February 2017 |
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Robert Haas (1898-1997) is among the great Austrian-American photographers of the twentieth century. He began his artistic career in Vienna as a graphic designer and typographer before studying photography with Trude Fleischmann. In the 1930s, Haas created stirring works of social reportage and sensitive depictions of everyday life, along with portraits and object studies. Beyond that, he spent several years as the official photographer of the Salzburg Festival.
Haas was forced to flee from the Nazis in 1938 along with countless other Jews, eventually settling in New York City. There, he re-established himself in the field of graphic design and printing. His impressive urban photography from the period revealed the influence of American visual culture. On the road, Haas documented the American way of life beyond the big cities. He photographed famous figures such as Albert Einstein and Oskar Kokoschka as well.
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GOLDEN FOX, BLUE FOX, MARILYN AMBROSE, BOA BY FREDERICA, NEW YORK, HARPER'S BAZAAR, NOVEMBER 1954
© Lillian Bassman Estate/Courtesy of Edwynn Houk Gallery |
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18 November 2016 - 14 January 2017 |
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Edwynn Houk Gallery Zurich is pleased to announce its first exhibition of photographs by Lillian Bassman. The show will feature 14 prints showcasing the legendary fashion photographer's stylistic development. Edwynn Houk Gallery exclusively represents the artist’s Estate.
A seminal figure in the history of fashion photography, Lillian Bassman's photographs appeared on the pages of Harper's Bazaar from the late 1940s through the 1960s. She trained and worked under famed art director Alexey Brodovitch, eventually becoming art director of Junior Bazaar in 1945, until the magazine's closure in 1948. While working as art director, Bassman regularly hired photographers such as Richard Avedon, Arnold Newman, and Robert Frank. By 1946, Bassman began taking her own photographs and swiftly transitioned from art director to fashion photographer. Her first photograph was published in Bazaar in 1947 and her first editorial story in 1948. |
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Fairs |
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Tue 29 Nov
29 Nov – 4 Dec 2016
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Known as Miami's premier anchor fair, the 27th edition of Art Miami kicks off the opening day of Art Week.
Tues, 11/29 | 5:30 pm – 10 pm (VIP PREVIEW)
Weds, 11/30 - Sat, 12/3 | 11 am – 8 pm
Sun, 12/4 | 11 am – 6 pm
Photography at ART MIAMI: artsy.net
www.artmiami.com
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CONTEXT Art Miami, along with the 27th edition of Art Miami, commences on November 29, 2016, with the highly anticipated Opening Night VIP Preview.
VIP Preview: Tuesday, November 29 | 5:30–10 PM
Wed, Nov 30 - Sat, Dec 3 | 11 AM–8 PM
Sunday, December 4 | 11 AM–6 PM
Photography at CONTEXT: artsy.net
www.contextartmiami.com
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269 leading galleries from North and Latin America, Europe, Asia and Africa show significant work from the masters of Modern and contemporary art, as well the new generation of emerging stars.
Wed, Nov 30 + Thurs, Dec 1, 11am to 3pm (by invitation only)
Thurs, Dec 1, 3pm to 8pm
Fri, Dec 2-3, 12 noon to 8pm
Sun, Dec 4, 12 noon to 6pm
www.artbasel.com/miami-beach
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Contemporary art from emerging and established galleries
Thursday, Dec. 1 | 1pm-7pm
Fri, Dec. 2 - Sat, Dec. 3 | 10am-7pm
Sunday, Dec. 4 | 10am-5pm
Photography at PULSE Miami Beach 2016: artsy.net
pulse-art.com/miami/
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Auctions |
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Elger Esser
Lyon II, Frankreich. 2009
C-Print, Diasec
106 x 147 cm (13,7 x 178 cm)
Estimate:: EUR 12.000 – 15.000 |
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Modern and Contemporary Photography |
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Auction:
Wednesday, 30 November 2016, 6pm
Preview Berlin, 25 – 29 November 2016
Grisebach, Fasanenstraße 25, 27 and 73
Fri – Mon 10am – 6pm, Tue 10am – 3pm
Online catalogue: www.grisebach.com |
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About 200 photographs will be offered at Grisebach’s Modern and Contemporary Photography Auction on Wednesday, November 30.
Three vintage contacts documenting Ludwig Mies van der Rohe’s legendary skyscraper projects come to auction from a French private collection. Mies’s 1921/1922 designs for the "Wabe" on Berlin’s Friedrichstrasse and the "Glass Skyscraper" (1922) are considered milestones in the history of architecture. Commissioned by Mies, Curt Rehbein made the prints, which are among the few pieces of contemporary evidence of the designs that have survived. They all bear the stamp of Atelier Mies van der Rohe on the reverse. In the photograph of the three-dimensional model of the "Glass Skyscraper" (estimate € 15,000/25,000) the interior of the radically new architectural construction is displayed in an impressive way. Two vintages of the "Wabe" project show a famous photomontage, the original of which is lost, and, seemingly, a draft for the charcoal drawing by Mies in the collection of the Museum of Modern Art in New York (each € 10,000/20,000). |
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Thomas Struth
Paradise 20, Bayrischer Wald, 1999
Chromogenic print, face-mounted to plexiglass
138.5 x 178.5 cm (150.8 x 190.5 cm frame)
Estimate € 40,000 - 50,000
Lot 471 / Auction 1079 Contemporary Art |
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Lempertz Photography |
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Auction 1077 | Photography | Friday, 2 December 2016, 3pm
Auction 1079 | Contemporary Art + Photography | Saturday, 3 December 2016, 2pm
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Opening: Friday, 25 November 2016, 6pm
Preview: Sat 26 Nov 10am – 4pm | Sun 27 Nov 11am – 3pm |
Mon 28 Nov to Thu 1 Dec 10am – 5.30pm
Further information: |
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Following upon the success of previous auctions, which saw record prices achieved for works by Albert Renger-Patzsch, this year's autumn auction will also feature an important group of works by this photographer, including two motifs from his 1928 book "Die Welt ist schön" (lots 23 and 29 / 3-4,000 and 4-5,000 €). Some of the animal portraits and object studies, such as the image "Natterkopf" (adder's head) sold last spring, were passed directly from the photographer to the father of the present owner.
One particular highlight among the 19th century photographs on offer this season is a stereo daguerreotype portrait of a married couple (probably taken in Moscow) by Wilhelm Schneider (lot 1 / 1,500 €), as well as an assorted lot of rare views of Buenos Aires and Argentina by Samuel Boote and Samuel Rimathé (lot 3 / 1,000 €). Further highlights of classic 20th century photography include August Sander's picturesque views of the "Stadtwald zu Köln" and "Drachenfels" (lots 30/31 / each 5-6,000 €). Ilse Bing's 1932 shot of the reflection in a puddle on the "Rue de Valois, Paris" is also among these works (lot 43 / 4,000 €), as is Brassai's grotesque and ironic work "Roi de Soleil" from his graffiti series, here offered with a very fine provenance (lot 61 / 5-6,000 €). |
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Festivals |
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Thu 24 Nov 11:00
24 Nov – 27 Nov 2016
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Current |
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Jimei x Arles International Photo Festival 2016 |
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20 November – 19 December 2016 |
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| Opening week until 25 November 2016
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Jimei x Arles International Photo Festival was jointly initated in 2015 by the Founder of Three Shadows Photography Art Centre, RongRong, and the Director of Les Rencontres d'Arles, Sam Stourdzé, who serve as Co-directors of the festival.
In 2016, the festival, co-directed again by its founders, will raise the curtain on the 20th of November 2016. Exhibitions aside, artistic performances, sound shows, forums, projections, portfolio reviews and other events will take place during the opening week that last a full 7 days. The festival means to connect and animate separated cultural areas and spaces, to relay and promulgate the different art forms through the city, thus events will be held both at Jimei Citizen Center and Three Shadows Xiamen Photography Art Centre.
The 2016 Jimei x Arles International Photo Festival main exhibition program includes: Exhibitions from Arles 2016, Jimei x Arles Discovery Award, Asian Pulse, Ninagawa Mika Solo Exhibition, Photo in Hindsight, Local Action, Collectors’ Tales, Crossover Photography, Photobook Fair, Portfolio Review, Seminars and Projection Activities. It will cover more than 100 artists from a dozen of different countries and display more than 1000 works in total.
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| O peixe [The Fish], 2016. 16mm film transferred to digital HD. 38’. © Jonathas de Andrade |
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32nd Bienal de São Paulo - Incerteza Viva |
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LIVE UNCERTAINTY |
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– 11 December 2016 |
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© 23 November 2016 photography-now.com
Ziegelstr. 29 . D–10117 DE . Berlin . Editor: Claudia Stein + Michael Steinke . contact@photography-now.com . T +49.30.24 34 27 80 |
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