
Moscow 2009. Novokuznetskaya, 2009
c-print on Fine Art Baryta
90 x 135 cm
| PRISKA PASQUER
Paris Photo 2014
B38
Rudolf Bonvie » Alexandra Catiere » El Lissitzky » Pieter Hugo » Rinko Kawauchi » Gustavs Klucis » Valentina Kulagina » Daidō Moriyama » Asako Narahashi » Mika Ninagawa » Hanno Otten » Tim Parchikov » Alexander Rodchenko » August Sander » Issei Suda » Shômei Tômatsu » Yutaka Takanashi » Manfred Willmann » & others
Exhibition: 13 Nov – 16 Nov 2014
Paris Photo
Grand Palais
Paris

Galerie Priska Pasquer
Konrad-Adenauer-Ufer 83
50668 Köln
+49 (0)221-9526313

PIETER HUGO | There's a Place in Hell for Me and My Friends, 2011-2012, Platinum prints
Stills Gallery presents a solo exhibition by Adelaide-based Magnum photographer Trent Parke including key works from his latest series THE CAMERA IS GOD (STREET PORTRAIT SERIES), which premiered in 2014 in Dark Heart, the Adelaide Biennial of Australian Art.
On the cusp between portraiture and abstraction, this work represents an exciting departure in Parke’s oeuvre. Expanding our expectations of both portraiture and street photography, the anonymous images of people on street corners hum with an unprecedented sense of human spirit. The subjects emerge from the film’s grain, as if distilled to their very essence. From a distance these street portraits appear to be recognizable, only to evaporate into abstraction on closer viewing.
Trent Parke’s four individually titled photo books To the Sea, which comprised the winning works of the Prudential Eye Award for Photography 2014, is also exhibited at Paris Photo.

Matthew Hindley, 2012
from There's a Place in Hell for Me and My Friends, 2011-2012
Platinum print
courtesy of PRISKA PASQUER

Hayden Phipps, 2011
from There's a Place in Hell for Me and My Friends, 2011-2012
Platinum print
courtesy of PRISKA PASQUER

Annebelle Schreuders, 2012
from There's a Place in Hell for Me and My Friends, 2011-2012
Platinum print
courtesy of PRISKA PASQUER