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People of Lithuania
People of Lithuania
by Antanas Sutkus

Text: Willaim A. Ewing (preface), Margarita Matulytė (essay)
Publisher: Kaunas photography gallery, Antanas Sutkus’ Archive of Photographs
158 pages
Year: 2015
ISBN: 978-609-8099-09-6
Hardcover, clothbound with tipped in image, 24,5 x 27 cm

Antanas Sutkus »

People of Lithuania

Publication 2015

Publication:

White Space Gallery


London

+44-(0)7949100956


www.whitespacegallery.co.uk

Tue-Sat by appt.

Antanas Sutkus made a special edition of 100,
size approx 30 x 30 and 20 x 30 cm each.
Signed, dated and numbered on the back.
600 euro each or 2 000 euro for set of four.

“Sutkus’s series People of Lithuania is considered one of his most important works. It is a continuing project begun in 1976 to document the changing life and people of Lithuania. Working at the time when Lithuania (as the Lithuanian SSR) was part of the Soviet Union, Sutkus focused on black and white portraits of ordinary people in their everyday life rather than the model citizens and workers promoted by Soviet propaganda. Sutkus had an opportunity to spend time with Jean-Paul Sartre and Simone de Beauvoir in 1965 when they visited Lithuania. One image, taken against the white sand of Nida, is highly regarded as capturing Sartre’s ideas.”

“Sutkus is a people, not a things photographer, even though there are always plenty of “things” that reveal the rough order of life. He is very interested in what we often call a “daily struggle” – how do those, whom he meets on the way, live. Sutkus never hid behind the camera and the subjects he photographs often look right into the lens. When this happens we become like a sort of witnesses of silent interrogation. And it is paradoxical – we too are interrogated. Sutkus has a rare gift, which only a few other photographers have: he is able to smoothly and naturally blend with environment. Children, young or old people, fellow artists, politicians, city, country… Often people look like they are waiting for something, or maybe just stopped for a second… It seems that they have stopped because of him, as if to share the moment of openness with this perfect, compassionate stranger.” (William A. Ewing)