Dominique Paul »
Playing Fields
Exhibition: 20 Apr – 27 May 2017
Thu 20 Apr 18:00 - 20:00
MIYAKO YOSHINAGA Gallery
New York
+1-212-2687132
info@miyakoyoshinaga.com
miyakoyoshinaga.com
Tue-Sat 11-18
MIYAKO YOSHINAGA is pleased to present Dominique Paul “Playing Fields,”
the Canadian artist’s second solo exhibition with the gallery. The exhibition
features Paul’s opulent tableaux utilizing collage, photography, and animation.
It will also feature a video documentation of her interactive performance and a
related artifact. An opening reception will be held Thursday, April
20, 6-8pm. A gallery talk with the artist and independent curator Ayelet
Danielle Aldouby* will take place Thursday, May 11 at 7 pm.
Dominique Paul plays with the representation of the body and explores its
transformation. This notion of body transformation informs Paul’s fantastical
invention of hybrid creatures. In her Insects of Suriname series,
the lacy cutouts of bodybuilder’s flesh from magazines are buoyed by colorful
consumer products. The surrealistic scenes share space with flora and insects
illustrated by Maria S. Merian, a Baroque-era naturalist documenting
metamorphosis of insects. Taking the form of a botanical mandala, Paul strives
to express a sense of urgency in the playing fields of our human-centric
society that overuses the planet’s resources. In her Escapist series, an
extremely hybrid human figure floats in a cosmic background as if she/he is
preparing to find another planet to dwell on. Paul boldly envisions a future
where the genetic code of living organisms is altered, and a strange new
hierarchy among sentient beings emerges.
This exhibition also features
Paul’s Increasing Revenue Gap dress as the artist’s own transformed body
and its new function. In a video documentation of one of her performances, Interactive
Median Income Dress Acting as a Social Interface, she wears another dress
that translates the median household income visually as she walks down New York
City streets, indicating a gap by colored lights—red for the lowest, blue for
the highest income. Along the way Paul casually talks with residents and
passersby; thus her dress functions as a social interface in the public space
and heightens awareness of inequality.