Miracle Workers Collective (MWC) »
A Greater Miracle of Perception,
Exhibition: 11 May – 24 Nov 2019
Fri 10 May 14:00
The Miracle Workers Collective (MWC) present their inaugural project, A Greater Miracle of Perception, for the Finnish Pavilion at the 58th International Art Exhibition – La Biennale di Venezia.
The MWC is formed and informed by a transdisciplinary and transnational community of artists, filmmakers, writers, intellectuals, performers, and activists including: writer Maryan Abdulkarim; scriptwriter and director Khadar Ahmed; writer and filmmaker Hassan Blasim; choreographer and artistic director Sonya Lindfors; artist Outi Pieski; artist Leena Pukki; artist Martta Tuomaala; artist and curator Lorenzo Sandoval; cinematographer Christopher L. Thomas and filmmaker and storyteller Suvi West, as well as curators Giovanna Esposito Yussif, Christopher Wessels, and Bonaventure Soh Bejeng Ndikung.
Exploring the miracle as a poetic vehicle from which to expand perceptions and experiences, the exhibition is realised through cinematic collaborations by members of the collective, and a site-specific sculptural installation by Outi Pieski gesturing to the transnationality of the Sámi people across Norway, Sweden, Finland, and Russia. Creating a space of encounters upon which to pause and reflect, the pavilion challenges the notion of national representation and belonging
“We are shifting beyond the realm of the possible, exploring moments regarded as ‘failures’ and exploring technologies of listening and seeing to chart the journey of the impossible,” says the collective, “while deliberating the importance of processuality in collective practices.”
“For us, this is an exciting journey”, says Raija Koli, Director of Frame and commissioner of the exhibition. “By bringing together the multidisciplinary practices and diverse backgrounds of its members, the Miracle Workers are rearticulating the idea of a contemporary art exhibition at the Finnish Pavilion. The collective is also exploring the parameters of the biennial concept by taking the Biennale out of Venice and all the way to Karasjokk into the circumpolar North.”