what i saw: john baldessari prints, 1976–2015
OPENS SATURDAY, FEBRUARY 8, 4–6 PM

John Baldessari (b. 1931, National City, California) has been widely regarded as one of contem- porary art’s most influential artists. To celebrate the artist’s life and to commemorate his passing on January 2, 2020, Cirrus presents an exhibition of Baldessari prints, spanning nearly forty years. The exhibition will inaugurate Cirrus’s fiftieth anniversary year, and celebrate its long collaboration with the Los Angeles-based conceptual artist. It opens February 8 and runs through April 14.

What I Saw: John Baldessari Prints, 1976–2015 comprises thirty-two prints, that capture Baldessari’s signature use of montage to combine banal images in sometimes discordant visual juxtapositions, or with unexpected text. His self-consciously populist approach, in which he employed found photographs, film stills, or photography of everyday objects, uses allegory and disjointed narrative, in sometimes obfuscating ways, and invites the viewer to construct meaning.

The exhibition includes several important portfolios and individual works produced in collabora- tion with Cirrus. Raw Prints (1976) includes six works with tipped-in color photographs of everyday street scenes taken by the artist as a compositional device, which he used to mark out an area of color or linear shape in the print. The Fallen Easel (1988), an ambitious and unpredictable, multi- part composition of individually-framed and mounted images takes on a noir cast as the picture physically breaks apart, suggesting a rapid, chaotic cutting of film stills. Baldessari’s humor is also on display—The First $100,000 I Ever Made (2012), and two prints from Engravings with Sounds (2015), showcase his signature wit, while the major portfolio of ten prints, Hegel’s Cellar (1986), and his Cliché series (1995), explore his biting insight.

Internationally recognized and widely exhibited, Baldessari addressed the social and cultural impact of mass culture, and reinvented the terms of display and image-making throughout his career. He received his Bachelor of Arts in 1953 at San Diego State College. He studied art history at UC Berkeley and received his MFA in painting from San Diego State College. He did post- graduate work at Chouinard and UCLA, and taught at CalArts (1970–1988) and at UCLA (1996– 2007). His catalog raisonné is published by Yale. He mentored generations of students, and was a pivotal presence in the arts in Los Angeles. Cirrus honors his legacy and celebrates a decades-long collaboration with the artist on multiple projects, in this exhibition that reconsiders his sharp wit and acute vision, and marks an important milestone in the history of the publisher and gallery.