The Deutsche Börse Photography Foundation Prize exhibition will feature a selection of work from the nominated projects of the four 2023 shortlisted artists. Their nominated projects are:

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Nominated for her exhibition A Chance Encounter at C/O Berlin (30 April – 7 September 2022).

Bieke Depoorter (b. 1986, Kortrijk, Belgium) blurs the traditional relationship between photographer and subject. She questions the role and responsibilities of the photographer, the possibility or impossibility of truth in representation and grapples with personal and professional boundaries. Her nominated project presents two unfolding, ongoing, bodies of work, Michael and Agata . In both, a chance encounter develops into an enduring personal relationship and, thereafter, into an interrogation of the medium. A selection of work from the Michael project will be on display at The Photographers’ Gallery.

In Michael , Depoorter examines the life and the disappearance of a man she met on the streets of Portland, Oregon in 2015. Gifted three suitcases of Michael’s personal items, sketchbooks and essays, his subsequent disappearance turns Depoorter detective. Depoorter’s work documents her immersive, perhaps obsessive, quest to find Michael and to understand his life. In Agata, a first meeting in a Parisian strip-club in 2017 evolves with complex tension into an intricate, changing narrative. The project explores questions of collaboration, the limits of a creative friendship, performance, boundaries and authorship.

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Nominated for his exhibition Live Evil  at Luma, Arles (14 April – 13 November 2022).

Arthur Jafa (b. 1960, Tupelo, Mississippi, United States) is an artist and filmmaker. Nominated for the largest and most comprehensive exhibition of his work to date, Jafa draws upon a substantial archive of film and still images, creating visceral, dynamic films and room-sized installations.

In the gallery space and on the screen, Jafa derives power from astute juxtaposition and lyrical, syncopated editing. Here the role of his personal archive and his instinct as a collector of images comes to the fore. Since the 1980s, Jafa has been accumulating and assembling pictures from books and magazines, arranging this imagery in new constellations within notebooks and latterly within dynamic artworks. For ready-made moving images, YouTube remains a favourite resource, alongside news footage and home video.

It is by placing one resonant cultural artefact next to another that Jafa references and questions the universal and specific articulations of Black experience. Eschewing a linear narrative, Jafa organises his material through formal and affective associations, linking his images through visual resemblance or thematic resonance. In this way Jafa aspires to an art that harnesses “the power, beauty, and alienation of black music.”

Nominated for her exhibition I have seen a million pictures of my face and still I have no idea , Fotomuseum Winterthur (26 February – 29 May 2022).

The sculptural collages and digital works of Frida Orupabo (b. 1986, Sarpsborg, Norway) are multi-layered formations, exploring questions of race, sexuality and identity. Orupabo, a Norwegian Nigerian artist and sociologist, grounds her inquiry in her own experience of cultural belonging. Utilising visual material circulating online, spanning colonial-era photographs and ethnographic relics to contemporary imagery, Orupabo’s hand-wrought works re-arrange and re-make the archive. The resulting images take the shape of fragmented Black, mostly female-bodied, figures. These figures, first dislocated, are reassembled layer by layer in a complex and poetic manoeuvre that simultaneously denounces one-dimensional depictions of Black lives. Orupabo bestows complexity, ambivalence and contradiction. Her collaged cut-outs hold our gaze and invite various readings of the stories and lives of the people depicted, many of whom are entirely absent from the archives. 

In this way Orupabo invites a consideration of how photography significantly contributes to the formation and perpetuation of colonial power relations and violence.

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Nominated for his exhibition Samuel Fosso at the Maison Européenne de la Photographie, Paris, (10 November 2021 – 13 March 2022).

Since the mid-1970s, Samuel Fosso (b. 1962, Kumba, Cameroon) has dedicated his artistic practice to self-portraits and performative photography. Fosso’s retrospective exhibition traces a career of almost 50 years and comprises more than 300 prints. The exhibition brings together iconic series, lesser-known works, as well as archival material and previously unpublished images, displayed principally in large-scale ensembles.

Born in Kumba, Cameroon and raised in Nigeria, Fosso fled the Biafran War as a young boy, and in 1972 was taken in by an uncle in Bangui in the Central African Republic. In 1975, at the age of thirteen, Fosso opened his Studio Photo Nationale. Alongside commercial work, Fosso immediately began a series of self-portraits – a mode of representation he has never abandoned. Playing the role of key historical figures and social archetypes in front of the camera, Fosso embodies a powerful way of existing in the world, and a vivid demonstration of photography’s role in the construction of myths.

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The works by this year's finalists show once again how significant, and at the same time complicated, the effect of the medium of photography, which has so often been declared dead, is on our perception of society and the possibility of changing it. It also shows the power, visual diversity and beauty that artists of different generations elicit from photography time and again. - Anne-Marie Beckmann – Director, Deutsche Börse Photography Foundation

The exhibition will tour to the Muzeum Fotografii w Krakowie, Krakow, Poland (30 June to 17 September 2023).

About the Deutsche Börse Photography Foundation Prize Originally established in 1996 and in partnership with the Deutsche Börse Photography Foundation since 2016, this long-standing and influential annual prize identifies and rewards artists and projects considered to have made the most significant contribution to photography over the previous 12 months. Over its 27-year history, the Prize has become renowned as one of the most important awards for photographers as well as a barometer of photographic development, foregrounding outstanding, innovative and thought-provoking work that pushes the boundaries of the medium and exemplifies its resonance and relevance as a cultural force.