Tereza Kozinc (1985) is a Slovenian author and photographer, who finished her studies at the Institute and Academy for Multimedia in Ljubljana. At the heart of her work is the search for and questioning of a utopian home, emotionally as well as geographically. Tereza’s work stretches between diary and documentary photography, characterised by a minimalist reality that grows into surreality. She is the winner of the Fotofever prize in Paris, a Futures platform artist and is a part of the Reflexions 2.0 community. The Guardian chose her photograph as one of the best works presented at Photo Basel 2023, and in the same year the artist's photography book 7AM was published by the French publishing house IIKKI, in which she and the co-author, Klavdij Sluban, present work dedicated to their son. She is nominated for the Maurice de Mauriac x photo basel award.

Hannah Schemel (*1994) is a German-born artist, who studied communication design at the University of Mannheim and is currently finishing her MA in Milan, Italy. In her photography practice, Schemel focuses on the passing of time and its interaction with subjects from the natural world, such as the sea, the sky and the forest. She has been developing two long-term projects, kigen (the origin) and umi (the sea), in which she traces the origin of places either through provenance in the Black Forest or the sea of Quiberon. The photographer works with an analogue large format camera and creates her photographs using hand-made paper especially developed for her, into which she lets her motives sink using a platinum-palladium mixture technique with a delicate Japanese paint brush made of goat hair.

Marc Riboud (1923–2016) joined the Magnum agency in 1951. In 1953 he published his first photograph – of the well-known house-painter on Eiffel tower – in Life magazine and was officially accepted as a Magnum photographer. Between 1955 and 1968 Riboud travelled the globe: he went to the Near and Far East, to Nepal, China (in 1957 he was one of the first European photographers to go to China), the Soviet Union, and travelled by motorcycle all the way from Alaska to Mexico. Between 1960 and 1980, he documented Africa, China, North and South Vietnam and Cambodia, Poland and Czechoslovakia. Riboud did not refer to himself as a photojournalist, but as a documentary photographer, and his visits to the many countries he travelled and documented were never limited to his specific assignment.

Marc Riboud is the recipient of the Leica Lifetime Achievement Award (2001). His works are found in many permanent collections, among them the MOMA New York, The Metropolitan Museum, New York, Musee d’Art Moderne de la Ville de Paris, Musee de Mexico and others.