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Alternative Visions: A Female Perspective / 
The Wall vs the Page
Abstraction: Blue and Red 1960
© YAMAZAWA Eiko,
Courtesy of The Third Gallery Aya

Alternative Visions: A Female Perspective / The Wall vs the Page

T3 Photo Festival Tokyo 2024

Yamazawa Eiko » Hisae Imai » Tamiko Nishimura » Toshiko Okanoue » Toyoko Tokiwa » Hitomi Watanabe » & others

Festival: 5 Oct – 27 Oct 2024

Tokyo Institut of Photography

Exart bild. 1F, 3-6-6 Kyobashi, Chuo-ku
104-0031 Tokyo
Wed. - Fri. 12-20/Sat.・Sun 12-19

Tokyo Institute of Photography

Exart bild. 1F, 3-6-6 Kyobashi, Chuo-ku
104-0031 Tokyo


t3photo.tokyo

Wed. - Fri. 12-20/Sat.・Sun 12-19

Alternative Visions: A Female Perspective / 
The Wall vs the Page
The Miracle of Silence 1952
© Toshiko Okanoue,
Courtesy of The Third Gallery Aya

Alternative Visions: A Female Perspective / The Wall vs the Page

French curator Mark Füstel focuses on two perspectives that were overlooked in "New Japanese Photography" (MoMA) in New York in 1974

1st is the female perspective. 15 photographers were selected for the exhibition, but not one female photographer was included. This exhibition presents important works created by female artists who were active during that period, and presents a different form of exhibition that could have been at that time.

The 2nd is the existence of a "photo book". Shoji Yamagishi said that "Japanese photography was mainly made for books," but in the 1974 exhibition there was only 1 photobook, and the rest was composed of prints. This exhibition demonstrates the importance and diversity of photobooks in modern times, and shows how the experience of viewing photographs differs from "pages and walls."

Alternative Visions: A Female Perspective / 
The Wall vs the Page
from "Energy" 1964-74
© Hisae Imai
Courtesey of The Third Gallery Aya
Alternative Visions: A Female Perspective / 
The Wall vs the Page
TOKIWA Toyoko
At dusk in Magane-cho, 1953
Museum of Yokohama Urban History