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Jeff Wall Photographs 1984–2023
Jeff Wall, In front of a nightclub, 2006.
Color transparency and light box.
© Jeff Wall.
Courtesy of Collection Museum of Contemporary Art Chicago,
Gift of Katherine S. Schamberg by exchange.

Jeff Wall »

Jeff Wall Photographs 1984–2023

Exhibition: 19 Oct 2025 – 22 Mar 2026

Museum of Contemporary Art (MOCA)

158 Sterling Road
M6R 2B7 Toronto

+1-416-3950067


moca.ca

Wed-Sat 11-18, Fri 11-21

MOCA Toronto is proud to present Jeff Wall Photographs 1984–2023, a comprehensive survey of one of Canada’s most influential living artists. Wall’s first major Canadian survey in over 25 years, and his first in Toronto in 35 years, this monumental exhibition spans all three floors of the museum. Including light box transparencies, black and white photographs, and colour prints, the extensive selection of works at MOCA traces four decades of Wall’s practice, offering the opportunity to experience the full scope of his contributions to contemporary photography.

An internationally celebrated artist, Wall is best known for his large-scale lightboxes and his pioneering approach to photography. Since the 1960s, he has profoundly influenced the artform through his bold experimentation with scale, texture, colour, subject matter, and production techniques, redefining the possibilities of the medium.

Highlighting photographs composed in Canada, the exhibition invites visitors to explore the history, evolution, and future of lens-based art in this country. At a time of renewed Canadian focus, it celebrates the powerful and enduring role photography has played in contributing to the nation’s cultural identity. For audiences, this is an opportunity to engage with Canadian history through the lens of one of its most influential contemporary artists.

Visitors are welcomed on Floor 1 by Children, a group of circular portraits depicting children from diverse cultural backgrounds. Set against dramatic cloud formations, the children are elevated to positions of power typically reserved for adults and heroic figures. This series is anchored by Young Man Wet with Rain—a larger-than-life, meticulously staged portrait that adds intensity to the floor’s opening experience. On Floors 2 and 3, Wall’s works unfold in a loose and poetic chronological order, tracing recurring themes such as the tension between reality and fiction, social marginalization, and the quiet dignity of everyday life. Even his most unsettling images—depicting struggle or landscapes fouled by thoughtless behavior—possess a haunting beauty and strength.