
Frieze London 2025
Frieze Masters 2025
Marina Abramović » Sophia Al-Maria » Helena Almeida » Iván Argote » John Baldessari » Peter Beard » Hannah Black » Daniel Blaufuks » Soumya Sankar Bose » Constantin Brancusi » Julian Charrière » David Claerbout » Gil Heitor Cortesao » Daniel Gustav Cramer » Thomas Demand » Willie Doherty » Spencer Finch » Luke Fowler » Nicholas Galanin » Pélagie Gbaguidi » David Goldblatt » Noémie Goudal » Todd Gray » Joy Gregory » Andreas Gursky » Candida Höfer » Ilana Harris-Babou » Roni Horn » Katherine Hubbard » Peter Hujar » Nikita Kadan » William Kentridge » Kapwani Kiwanga » Bohnchang Koo » Louise Lawler » Jung-Jin Lee » Eunjo Lee » Enrique López Llamas » Sarah Lucas » Naomi Lulendo » William Mackrell » Nalini Malani » Man Ray » László Moholy-Nagy » Aline Motta » Zanele Muholi » Ailbhe Ni Bhriain » WANG Ningde » Erin O'Keefe » Catherine Opie » Lisa Oppenheim » Christelle Oyiri » Joanna Piotrowska » Herbert G. Ponting » Jon Rafman » Ashfika Rahman » Thomas Ruff » Rose Salane » Eva Schlegel » Paul Mpagi Sepuya » Cindy Sherman » Thomas Struth » Martine Syms » Wolfgang Tillmans » Cy Twombly » Doris Ulmann » Koen van den Broek » Darío Villalba » Carrie Mae Weems » Christopher Williams » Erwin Wurm » & others
Fair: 15 Oct – 19 Oct 2025
The Regent's Park
Chester Rd
NW1 4HA London
Frieze art fair
5-9 Hatton Wall
EC1N 8HX London
+44 (0)20-76920000

Things Are Looking Native, Native's Looking Whiter, 2012
giclée
42 x 30 3/4 inches (106.7 x 78.1 cm)
Edition of 5
Peter Blum Gallery, New York, NY

Counter-Illumination #2, 2020
Inkjet print on Hahnemühle, Diasec photographic paper
32.68" x 48.43" x 1.57" (83 cm x 123 cm x 4 cm)
Edition 5 plus 2 AP (#3/5)
Courtesy Galerie Poggi, Paris
Artist-to-Artist: Katherine Hubbard Selected by Nicole Eisenman
The new photographs by Katherine Hubbard in Artist-to-Artist continue her project with her mother, Antonette Berger, in Berger’s Philadelphia home. Initiated in 2020, the work began as Berger was experiencing severe memory loss, subsequently being diagnosed with LATE, a brain disease resembling Alzheimer’s. Using two large-format 4×5 film cameras, Hubbard and Berger move through the house with props and mirrors, creating images that echo daily rituals. Hubbard’s work draws on the home’s architecture, touch and gesture to reflect a bond shaped by love and routine, amid a shifting landscape of memory and loss.

one fifty one (after all), 2025
Silver gelatin photograph
40" x 50" (101.6 cm x 127 cm)
Company Gallery