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Photography’s First Century
Félix Nadar,
Gustave Doré jeune, assis, une écharpe à carreaux autour du cou
- Entre 1856 et 1858 - BnF, département des Estampes et de la photographie,
FOL-EO-15 (7)

Photography’s First Century

Masterworks from the Bibliothèque nationale de France

Rogi André » Eugène Atget » Édouard Baldus » Brassaï » Eugène Cuvelier » Edgar Degas » Louis-Emile Durandelle » Jean Durieux » André Kertész » Gustave Le Gray » Henri Le Secq » Dora Maar » Man Ray  » Felix Nadar (Gaspard-Félix Tournachon) » & others

Exhibition: 16 Sep – 19 Nov 2026

Avignon TGV, Marseille-Saint-Charles, Gare-de-Lyon et Valence TGV


75013 Paris

BNF - Bibliothèque Nationale de France

Quai François Mauriac
75013 Paris

+33(0)1-53795959


www.bnf.fr

Tue-Sun 10-19

Photography’s First Century
Rogi André,
Portrait de Peggy Guggenheim, vers 1939
BnF, Estampes et photographie

100 ans d'histoire de la photographie dans les collections de la BnF. 1839 - 1939
Avignon TGV, Marseille-Saint-Charles, Paris-Gare-de-Lyon et Valence TGV, Paris
16 sep. 2026 - 19 nov. 2026

Photography’s First Century. Masterworks of the Bibliothèque nationale de France
Kimbell Art Museum, Fort Worth (Texas, États-Unis)
4 oct. 2026 Until 17 jan. 2027

Designed for the Kimbell Art Museum in Fort Worth (United States), the exhibition is presented in a scaled-down version in four major French train stations.

The exhibition celebrating the art of photography traces the history of the medium’s first century of exploration and discovery, from the rise of daguerreotypes and calotypes in the 1840s to the age of modernism between the World Wars. Drawn from the rich holdings of the Bibliothèque nationale de France—one of the largest and most comprehensive collections of photographs in the world—this survey of more than 170 images includes work by Henri Le Secq, Gustave Le Gray, Félix Tournachon (Nadar), Édouard Baldus, Louis-Émile Durandelle, Edgar Degas, Eugène Atget, Sonia Delaunay, André Kertesz, Rogi André, Man Ray, and Brassaï.

Photography’s First Century begins in the 1840s with photographs acquired by the Bibliothèque during the birth of the medium—a time when the library’s curators bought pictures chiefly as documents, for their information rather than their beauty. It ends in the 1930s when the same images had come to be seen as art. Following the history of the medium in France, the exhibition moves from the earliest, rival photographic inventions through the great campaigns to record the monuments of the nation and the wider world. From the commercial portrait studios of Second Empire Paris or a landscape artist by the sea, it turns to photography in the service of science, industry, and history, and then to the snapshot, the amateur, and the album. Finally, the exhibition reveals the international Paris of the 1920s and 1930s, where, through creative and technical innovation, a hundred-year-old medium was invented anew.

Photography’s First Century
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