
"Tangent II", Southold, NY. 2011
Calotype (Talbotype) paper negatives
Koichiro Kurita »
Journey of Light
Exhibition: 7 Nov 2026 – 26 Feb 2027
Fri 6 Nov 17:00 - 20:00

Johanna Breede PHOTOKUNST
Fasanenstr. 69
10719 Berlin
+49 (0)30-88913590
photokunst@breede.de
www.johanna-breede.com
Tue-Fri 11-17, Sat 11-14

"Tangent II", Southold, NY. 2011
Albumen print from Talbotype paper negatives on gampi paper
Koichiro Kurita
"Journey of Light"
Exhibition: 7 November 2026 – 26 February 2027
Opening: Saturday, 7 November, 5-8pm
There is a photographic technique called the calotype. This concept of paper negatives
and positives, introduced by Talbot in 1841, is considered the origin of photography. In my
project titled "Beyond Spheres" (2010–2017), I began creating calotype (Talbotype) with
the aim of visualizing the natural world as described by Henry D. Thoreau with his
profound insights gained during his travels. Building on my experience creating negatives
on handmade gampi paper for "Beyond Spheres," I am currently taking on the challenge of
producing calotypes by building a large-format camera capable of handling 24×30-inch
paper negatives.
I have been creating my works while walking through the forest, drawing inspiration from
nature. When I encounter a subject, the first things I sense—light and then atmosphere,
scent, etc,—stir my emotions through my perceptions, and I try to capture that scene. In
my current project, the "Large-Format Calotype Project," the passage of time and invisible
chemical reactions intertwine within the ever-changing light, slowly recording the scene as
a tangible reality. The process by which memories, once locked away, resurface after this
journey through light is both immeasurable potential and is also thrilling.
The word "photograph" literally means "picture of light"; we are able to see objects
because sunlight strikes them and reflects off them in varying ways. While the amount of
light reflected from each object differs—with black objects reflecting very little and white
objects reflecting a great deal—light-sensitive materials are capable of capturing these
subtle variations in light, and the technique of creating such images is known as
photography.
In the calotype process, paper treated with photosensitive chemicals is placed in a camera
and exposed to light, capturing subtle variations in light intensity. Next, the paper is
removed from the camera and immersed in a plant-based solution. There, the intensity of
the light received is converted into an image, creating a "picture of light." Areas where light
was strongly reflected appear black, while areas with little reflection appear white, resulting
in an inverted black-and-white image. This is called a "negative."
The journey of light continues.
In the early days of photography, various printing techniques were developed. To create a
positive image, egg whites or gelatin were applied to make photographic paper; the
negative was then placed on top, and light was shone through it once more. As the light
passed through the negative, the image was inverted again, finally producing a photograph
(positive) with the correct light and dark tones. Light has come a long way to reach this
point.
From here on, we enter the realm of psychology: light now strikes this photograph, and it is
through the reflection of that light that I—and all of you—can see it. Depending on
differences in attributes such as gender, age, experience, and way of thinking, the visual
appearance varies. That is the final destination of the "journey of light."
Koichiro Kurita: "Journey of Light" 2026
Koichiro Kurita
"Journey of Light"
Ausstellung: 7. November 2026 bis 26. Februar 2027
Eröffnung: Samstag, 7. November, 17-20 Uhr