HUP Gallery has the privilege to present the first solo exhibition, since 1967, of photographer Sanne Sannes. After almost four decades of obscurity, a unique collection from the oeuvre of the Dutch photographer Sanne Sannes (1937-1967) comes to light again. That this collection of rare vintage work from the Sannes Estate (curator Rob Sannes) shall again be available for an international market is an opportunity for Dutch photography. About the photographer: Sannes, during his brief photographic career in the sixties, became renown for his taste for the erotic, his fascination with women and approach to seduction. His timeless imagery recalls the atmosphere of the sixties, which acted as an impulse both for his models and for his own super talent in photography. After his untimely death at the age of 30 in a car accident, with only an eight year photographic career of innovating art, Sannes oeuvre is still on par with internationally acclaimed Dutch photographers such as Gerard Fieret and Ed van der Elsken, who in the sixties defined Dutch black-and-white photography. That Sannes earned his merit in the world of creative photography with his keen and intensely poetic eye regarding women, shall be obvious to contemporary viewers. Sannes explores aspects of sexual passion. Jim Hughes, editor of 'Camera 35', wrote: "Sannes, a controversial Dutch photographer, did not make easy photographs. Certainly, he did not make pretty photographs. I'm not even sure he made photographs. He made explorations of people, of their outsides and their insides, and sent back picture postcards of their psyches." Sannes work is better known through his publications, one of his best known books being 'Sex a Gogo'. More provocative than most books of nudes in its day, it remains a fantastic period piece even today. It was his second book, published posthumously in 1969. His first book, 'Oog om Oog' (Eye for Eye) a notable work in the Dutch beeldroman (photonovel) tradition, had been published a few years earlier. 'Sex a Gogo' was much more light hearted, a Pop-Art sexual manual, complete with psychedelic collages and cartoon speech balloons. It was heavily influenced by the many underground magazines that were a feature of the 1960s culture/scene. Parry Badger wrote in The Photobook, A History, Vol. I: "The book's montages were devised by its designer Walter Steevensz, who took over the project when Sannes died, and it is his vision as much as the photographer's that is evidenced in this typically 1960's comedy of sexual mores. Yet however comical, Sex a Gogo never allows us to forget about its erotic intentions." Note: FOAM_Fotografiemuseum Amsterdam will organise an exhibition about and with the work of Sanne Sannes in 2009.