"The photographig emulsion, plate or paper - is an unknown quantity, whereupon one can note with light, as the painter can with his implements." (L. Moholy-Nagy, 1928). The pioneer of the abstract colour-photograms had been already occupied by the same questions, which also distinguish the works of Mikko Sinervo and Ea Vasko: Light, colour and space. DIffenrent to Moholy-Nagy, these artists approache from the representational, transferring it into a borderland to abstraction.