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Tim Hetherington | Doug Rickard
Tim Hetherington Alcantara, Korengal Valley, Kunar Province, Afghanistan, 2008 Digital C-print © Tim Hetherington, Courtesy Yossi Milo Gallery, New York

Tim Hetherington | Doug Rickard

in association with Yossi Milo Gallery and Head On Photo Festival

Tim Hetherington » Doug Rickard »

Exhibition: 22 May – 22 Jun 2013

Stills Gallery

36 Gosbell Street . Paddington
NSW 2021 Sydney

+61 2-93317775


www.stillsgallery.com.au

Wed-Sat 11-17

Tim Hetherington | Doug Rickard
Tim Hetherington Kim, Korengal Valley, Kunar Province, Afghanistan, 2008 Digital C-print © Tim Hetherington, Courtesy Yossi Milo Gallery, New York

Tim Hetherington
Doug Rickard

in association with Yossi Milo Gallery and Head On Photo Festival

22 May to 22 June 2013

In association with Head On Photo Festival, Stills Gallery is delighted to host compelling works by two internationally acclaimed artists, Tim Hetherington and Doug Rickard, brought to Australian audiences from Yossi Milo Gallery, New York.

Without the guns and artillery of war, or the armor of bravado and aggression, Tim Hetherington’s images of sleeping American soldiers are disarmingly peaceful and childlike in their vulnerability. Hetherington observed this active-duty battalion while they were stationed in Afghanistan’s Korengal Valley during 2007-08, capturing beneath the camouflage the most intimate of moments, which are seemingly at odds with common reportage images of adrenaline-fuelled and stony-faced soldiers. Through his photographs, writing and films, Tim Hetherington gave us new ways to look at and think about human suffering. Tim was tragically killed on April 20, 2011, while photographing and filming the conflict in Libya.

Doug Rickard’s A New American Picture depicts American street scenes, located using the internet platform Google Street View. Over a four-year period, Rickard virtually explored the roads of America looking for forgotten, economically devastated, and largely abandoned places. After locating and composing scenes of urban and rural decay, Rickard re-photographed the images on his computer screen, freeing the image from its technological origins and re-presenting them on a new documentary plane. Rickard’s work evokes a connection to the tradition of American street photography. He both follows and advances that tradition, with a documentary strategy that acknowledges an increasingly technological world. Collectively, these images present a photographic portrait of the socially disenfranchised and economically powerless, those living an inversion of the American Dream.

Tim Hetherington | Doug Rickard
Doug Rickard From the series A New American Picture #82.948842, Detroit, MI (2009), 2010 Archival Pigment Print © Doug Rickard, Courtesy Yossi Milo Gallery, New York

Both artists are highly regarded for their contributions to contemporary photographic and film practices.
Before his untimely death Hetherington received numerous accolades for his documentation of conflict zones, including the 2007 World Press Photo of the Year, the Rory Peck Award for Features (2008), an Alfred I. duPont Award (2009), and an Academy Award nomination for Restrepo (2011). His work has posthumously become part of the Magnum Photo Archive.
Doug Rickard is founder of American Suburb X and These Americans, and his work has been widely exhibited including in New Photography 2011 at MOMA, New York, Le Bal, Paris, and the 42nd edition of Les Rencontres d’Arles. A monograph of A New American Picture was first published in 2010 and was rereleased in 2012.This is the first opportunity for Australian audiences to see many of these works, and it is also a new collaboration with the prestigious Yossi Milo Gallery, established in 2000, and focused on the representation of artists specializing in photo-based art, video and works on paper.

Tim Hetherington | Doug Rickard
Doug Rickard From the series A New American Picture #40.805716, Bronx, NY (2009), 2011 Archival Pigment Print © Doug Rickard, Courtesy Yossi Milo Gallery, New York