Michael Wolf »
The Real Toy Story
Exhibition: 11 Jan – 12 Feb 2014
MICHAEL WOLF THE REAL TOY STORY AT K11 SHANGHAI
11 January - 12 February 2014
K11 is pleased to present the “Real Toy Story” by Hong-Kong based German artist, Michael Wolf. The Real Toy Story is an elaborate photographic installation comprised of 20,000 used children’s toys all made in China. An homage to the faces of China’s nameless factory workers that produce much of the world’s inexpensive mass-produced plastic toys consumed by children around the world.
The Real Toy Story is an elaborate photographic installation comprised of 16,000 used children’s toys all made in China. An homage to the faces of China’s nameless factory workers that produce much of the world’s inexpensive mass-produced plastic toys consumed by children around the world.
The Real Toy story is a continuation of Wolf’s interest in the people and societal and economic changes taking place in Hong Kong and southern China. Wolf’s work over the past twenty years originally was inspired as a gift for his son. He collected a large bag of approximately 600 used plastic toys from second hand shops and local markets in America to decorate his boy’s room. The young child was astonished. Wolf quickly realized every single toy he had collected was “Made in China”. The artist then focused on expanding the project by documenting the true faces of Chinese factory workers that produce the real toys. In March 2004, wolf spent 4 weeks traveling through California with a van.
According to Wolf;
‘My criteria was that each toy must have a face, and had to have been ’made in china’… after 30 days, 2000 miles, hundreds of shops and flea markets later, I had collected about 20,000 toys.
They were packed and shipped to my studio in Hong Kong.
I proceeded to sand down the back of each toy creating
a flat, rough surface onto which I could glue strong magnets.
The magnets are a practical solution to allow me to move the toys around the walls and give me flexibility in the way I build the installation. Parallel to the process of preparing the toys for the installation, I visited five toy factories in china where I photographed the workers producing the toys. These portraits are embedded in the installation, and add another level of meaning to the project.’