Exhibitions of Giacomo Costa at Galerie Clairefontaine |
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Galerie ClairefontaineLUPERSISTENT TIMEEuropean Month of Photography25 Apr – 6 Jun 2015
Giacomo Costa uses digital technology to generate a futuristic urban landscape. These fantastic, apocalyptic images borrow their aesthetic from science fiction literature and film, where architecture takes on a colossal scale. Pulverized landscapes and lonely structures that inhabit anonymous cities are constant elements in his series, a metaphor for the depersonalization that affects the contemporary metropolis whose buildings soar above the human scale.
Galerie ClairefontaineLUlooking to learn / learning to look25 Years of Galerie Clairefontaine30 Nov 2013 – 25 Jan 2014
If you love art, meeting artists enriches your life and brings you closer to an intangible world that you yearn for, but don’t experience in your everyday life. The eternal Faustian desire to “know what holds the inner world together” lies dormant in us all and needs to be satisfied. We may not realise the dream, but we must still dream it, and each of us does so in our own way. The book and the exhibition document the quest of Luxembourgish gallerist Marita Ruiter over th… Galerie ClairefontaineLUsummertime...and the living is easy...15 Jun – 20 Jul 2013Summertime... and the living is easy...
If you need a vacation before your vacation, come and feast your eyes on the images of summer ease and glory at Galerie Clairefontaine: the feeling is layed back, the wind blows softly through the palm trees in the pictures of some of the best artists of the world, while jazzy songs come to your mind (and ears) and make you feel like you’re on holiday. Galerie ClairefontaineLUPorträts > < SelbstporträtsKünstler im Dialog mit sich selbst26 Jun – 26 Jul 2008Galerie ClairefontaineLUPhotomeetings Luxembourg 2006 - Mass Media Manipulation19 Jun – 22 Jul 2006PHOTOMEETINGS LUXEMBOURG
workshops lectures exhibitions
June 19 - 24, 2006
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Mass Media Manipulation
Due to the role of technology in the contemporary world, the function of the image in our society has changed. Millions of images are published and diffused, and remain instantly accessible. Selectively presented and manipulated, they lose what Walter Benjamin cal… |