les alentours Emmanuel Berry fait le choix délibéré de ne s’intéresser qu’aux seuls abords. Déambulant dans les rues, les sous-bois, les champs d’Oswiecim, le photographe interroge les limites, les frontières du camp d’Auschwitz en travaillant sur les entours, sur la lumière et le temps suspendu...qu’en l’absence de toute image directe et évocatrice notre mémoire seule recompose. …

INTRODUCTION « These are nasty birds,but is it so important, as they become a piece of art once transcended by the artist ? They look astonished by the photographer's intrusion, though they look at us and so do we. All of a sudden, these stuffed birds are back to life : here they are, facing us, ready to shake and leave... » Charles Zalber PRESENTATION After his exhibition at the Museum of Natural History in Paris in 2006, and several others throughout France, his large photograph…