No one ever told me grief felt so much like fear. - C.S. Lewis Renaissance still-life painting featured opulent tables of fruit and fauna taken from the land for human pleasure and consumption, but beneath the sensual images was an allegory that Marian Drew assimilates to contemporary society. Rather than bucolic examples of a landowner's fortunes or flexed exertions of man's control over the natural world, Drew's tables are dressed to implicate the disregard humanity has for the wild an…