The exhibition offers a reading of the work of Carlo Scarpa (1906-78) through the different ‘eyes’ of European photographers who have measured themselves with representations of the Venetian architect’s masterpieces since the 1950s.

Carlo Scarpa was perhaps the last exponent of the generation of draughtsmen architects, who relied on pencil and paint to communicate their work. Scarpa’s mistrust of the ability of photographic interpretation to compete with the architect’s spatial concep… more