“If I don’t trust this evidence why should I trust any evidence?,” Wittgenstein examined himself in On Certainty. Dénes Farkas’ work is haunted by a drama of not delivering a trust to a singular evidence of this world, a world as he found it. Hysterically reproduced, paper maquettes of choreographed architecture, imprisoned within a clumsy, photographic frame, are abstract shelters for imagined and unspoken texts. Words are characters in performance of a world as a…
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