'Biermann's photographic essays access the metaphysical in a distinctly contemporary context, not only do they summon the uncanny but also offer a unique and singular approach to the photographic image. His staged photographs are restricted to monochrome, reminiscent of those pristine, purist art photography images of the 1950's and 60's. He uses a panoramic camera to create a vertical, portrait format, his images present a disconcerting counterpoint of hard-blown industrial edges and surfaces w… more