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OSMOSCOSMOS
© Jan van IJken, Becoming 2018, 06:15, HD video

OSMOSCOSMOS

Eros & Cosmos

Johan Österholm » Nobuyoshi Araki » Ursula Böhmer » Dorothée Baumann » Renate Bertlmann » Anne Collier » Nicolas Crispini » Bunu Dhungana » Charles Eames » Ray Eames » Hans-Peter Feldmann » Sylvie Fleury » Barbara Hammer » Pierre Keller » Martin Kippenberger » Jürgen Klauke » Cyril Kobler » Urs Lüthi » Eden Levi Am » Armin Linke » Natalia LL » Fred Lonidier » Lee Lozano » Manon » Angela Marzullo » Mauricio Dias & Walter Riedweg » Susan Meiselas » Bjørn Melhus » Boris Mikhailov » Verita Monselles » Gianni Motti » Jean-Luc Moulène » Yurie Nagashima  » Orhan Pamuk » Walter Pfeiffer » Peter Piller » Pierre Radisic » Catherine Radosa » Thomas Ruff » Gregor Sailer » Viviane Sassen » Lina Scheynius » Jo Spence » Jules Spinatsch » Annie Sprinkle » A. I. Steiner » Grazia Toderi » Nicole Tran Ba Vang » Jan van Ijken » Liliane Vertessen » Christian Waldvogel » Charles Weber » Patrick Weidmann » Barbara Wolff »

Exhibition: 19 Jun – 25 Aug 2019

Tue 18 Jun 18:00

CPG Centre de la Photographie Genève

28, rue des Bains
1205 Genève

+41(0)22-3292835


www.centrephotogeneve.ch

Tue-Sun 11-18

OSMOSCOSMOS
© Barbara Wolff

The sixth edition of the 50JPG of the Centre de la photographie Genève will be held between 19 June and 25 August 2019. The main exhibition will aim to bring together Eros & Cosmos. Under the title OSMOSCOSMOS, it will highlight the link between these two universes, a connection that has been very little studied in our western cultures, probably too much influenced by monotheistic religions and the feelings of guilt developed in association with Eros, with the purpose of making the individual more subject to the ascendancy of the churches.

Jean-Pierre Vernant, a specialist in Greek antiquity, emphasizes that the sexualisation of the god Eros occurred at the moment when Uranus was castrated and withdrew from Gaia in pain to become the starry sky above our heads*. And for the philosopher Michel Onfray, referring to the Kama Sutra, sex is defined as follows: “...natural, attuned to the cosmos, never separated from the world, always there as a reminder of the bond between the parts of a greater whole”.**

A dozen of works establish this relationship between the two facets of OSMOSCOSMOS, such as Words and Stars by Grazia Toderi and Orhan Pamuk, or the contributions of Ursula Böhmer, Bunu Dhungana, Heidi Hassan, Eden Levi Am, Urs Lüthi, Boris Mikhailov, Johan Österholm, Thomas Ruff, Pierre Radisic, Catherine Radosa, Annie Sprinkle (with Beth Stephens), Christian Waldvogel and others.

OSMOSCOSMOS
BJØRN MELHUS, MOON OVER DA NANG (LUNE SUR DA NANG), 2016, HD VIDEO, 15’, © BJØRN MELHUS

OSMOSCOSMOS brings together contemporary photographic and videographic works as well as drawing on a variety of iconographic sources. As early as the 1970s several artists from among those selected radically questioned the definition of genres, and indeed the commercialisation of Eros, whether it be Manon, Jürgen Klauke, Renate Bertlmann, Natalia LL, Urs Lüthi, Barbara Hammer, Annie Sprinkle (with Beth Stephens) or Liliane Vertessen; at the same period others, such as Pierre Keller or Walter Pfeiffer, were laying claim to homosexual aesthetic values, revisited in a contemporary form by Mauricio Dias and Walter Riedweg. The feminist thread is carried on today by artists such as Romy Alizée, Dorothée Baumann, Anne Collier, Déborah de Robertis, Nadia Granados, Angela Marzullo, Lina Scheynius or again A.L. Steiner, while Eden Levi Am, Nicole Tran Ba Vang and Yuri Nagashima deal with instances of Lesbian and/or queer love.

While it goes without saying that Eros also impacts on political problems, it has to be recognized that in our mercantile societies it is blighted by very considerable economic interests, as is demonstrated by the works of Caroline Bernard, Fred Lonidier, Susana Meiselas, Charles Weber, or indeed Patrick Weidmann.

Nonetheless, everyone — we hope — has been able to experience, in the ecstasy of sexual union, a sense of the infinite reminiscent of cosmic infinity. Cosmic fuck by Lee Lozano, the only drawing among the works on show, is the abstract expression of this. All evocations of the cosmos will be mainly artists’ representations of it. In parallel with the cosmos which is beyond the reach of human beings, for instance black holes that are 53 million light years away, OSMOSCOSMOS will consider political issues in the relationship that we earth-dwellers have with the cosmos in our immediate vicinity.

To draw together the parts of a greater whole that can never be exhaustive, the exhibition will be submerged in semi-darkness, lit solely by the rays emanating from the projection of images or by the illumination of showcases that will contain prints of all kinds. The exhibition, bringing together a large number of artists the CPG has already introduced, aims to be a constellation among other constellations, an atlas of images in which visitors are invited to constitute, or extend, their own cosmos.

* See L’univers, les dieux, les hommes by Jean- Pierre Vernant
** From Les Bûchers de Bénarès by Michel Onfray

OSMOSCOSMOS
Grazia Toderi & Orhan Pamuk
Words and Stars (Monologue), 2013-2017
Vue d'installation au MART, Rovereto, 2017
Photo : © A. Maniscalco
OSMOSCOSMOS
© ANNIE SPRINKLE & BETH STEPHENS
loveartlab.org, sexecology.org
OSMOSCOSMOS
© Walter Pfeiffer
OSMOSCOSMOS
© Johan Österholm
Luminous Bud 01, 2016
Archival pigment print
Edition 4+2 AP
78,5x65,5 cm incl. frame
OSMOSCOSMOS
BARBARA HAMMER, DYKETACTICS, 1974, 16 MM FILM ON VIDEO, 4’, COURTESY ELECTRONIC ARTS INTERMIX (EAI), NEW YORK
OSMOSCOSMOS
PIERRE KELLER, HORSES (CHEVAUX), 1988, HARAS DE CUGNY, © PIERRE KELLER
OSMOSCOSMOS
MARTIN KIPPENBERGER, COLLAGES AND PHOTOGRAPHS. HELMUT NEWTON FOR THE POOR. SELF-SOILING NEST WARMTH - UNTIL 84, CCD GALERIE, DÜSSELDORF, SEPTEMBER–OKTOBER 1985 [CARTON D'INVITATION/INVITATION CARD], © ESTATE OF MARTIN KIPPENBERGER, GALERIE GISELA CAPITAIN, COLOGNE
OSMOSCOSMOS
VERITA MONSELLES, IL VELO (LE VOILE/THE VEIL), 1975, COURTESY OF COLLEZIONE ANNA LISA BARONI FRITELLI, FLORENCE
OSMOSCOSMOS
JEAN-LUC MOULÈNE, LES TROIS GRÂCES (THE THREE GRACES), 2012, HD VIDEO, 9’24, COURTESY OF THE ARTIST AND GALERIE CHANTAL CROUSEL, PARIS
OSMOSCOSMOS
A.L. STEINER, UNTITLED, RAINBOW ROOTS, DIGITAL PHOTOGRAPH, DE/FROM: C.L.U.E. (COLOR LOCATION ULTIMATE EXPERIENCE), DIGITAL VIDEO, ROBBINSCHILDS + A.L. STEINER, 2007, COURTESY THE ARTISTS + DEBORAH SCHAMONI GALERIE
OSMOSCOSMOS
CHARLES WEBER, EROTIC III, ATHÈNES (ATHENS), 2017, DE/FROM: EST-CE AINSI QUE LES HOMMES VIVENT, © CHARLES WEBER
OSMOSCOSMOS
PATRICK WEIDMANN, MIRODROME, 2015, © PATRICK WEIDMANN