We alone are the insiders of our interior worlds. Within ourselves we feel safe and yet often isolated and sealed off. At the same time, hope is almost always contained therein: evident itself in windows, in the gates of the eyes. Each window is a link, a step between the interior and the exterior. The window functions just as with the lens of a camera - it is the point between the camera obscura and the outside. The point where light breaks through and illuminates another world.
Women are a major driving force of photography. No sooner had French pioneer Louis Daguerre introduced the media to the public in 1839 than it began to be used as a method to portray female beauty. It was American chemist John W. Draper who ushered women into photography with a portrait of his sister Dorothy. And ever since, the suspicion has been that a wooing Orpheus lurks behind the cold technology of the camera - an artist whose intentions are to captivate and seduce women with photographs.
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