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| PHOTOGRAPHY INTERNATIONAL |
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22 — 29 November 2017 |
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Jimei x Arles International Photo Festival was created in 2015 in Xiamen by Sam Stourdzé, the director of Rencontres d’Arles, and Chinese photographer RongRong, founder of Three Shadows Photography Art Centre (Beijing and Xiamen) and has attracted more than 100,000 visitors since its inception.
The 2017 festival features from 25 November 2017 to 3 January 2018 in 40 exhibitions more than 250 international artists selected from Rencontres d’Arles alongside Chinese and Asian photography talents - Opening Week: November 25-28
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Held 24 November to 15 December 2017, this year’s LagosPhoto encompasses an engaging programme of events with cultural and artistic gains. Exhibitions of finely curated works of photography from the African continent and the diaspora, large-scale and performative installations dotted around iconic public spaces in Lagos, as well as artists’ presentations, workshops and the like.
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It is the only contemporary art weekend in the city and offers visitors a four day jam-packed program with more than 100 events at over 50 different locations.
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Louis Faurer, Garage, Park Avenue, New York, 1950
courtesy of Howard Greenberg Gallery, NY |
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GREENBERG BY KAHMANN |
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Highlights from the Howard Greenberg Gallery collection |
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extended through 23 December 2017 |
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| Kahmann Gallery is proud to present the exhibition ‘Greenberg by Kahmann’. This exhibition is a special collaboration between Kahmann Gallery and the world renowned photo gallery Howard Greenberg Gallery from New York. A selection from the Greenberg Gallery collection will be on show and will include notable artists such as Dennis Stock, André Kertesz, Robert Frank, William Klein, Gordon Parks, Mike Disfarmer, Arnold Newman, Martin Munkacsi and Joel Meyerowitz. |
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| Detachment 1, 2017 © Nicolas Dhervillers |
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| 24 November 2017 – 27 January 2018 |
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Opening reception: Thursday 23 November 19:00
The artist is present. Laudatio: Elke Tesch. |
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The landscapes are moody and grim, the figures are perfectly illuminated and portrayed – photo artist Nicolas Dhervillers (36) creates dramatic works that express a cinematic magic. His characters exist in their oddly timeless and strange spaces and manifest in the dark and dimly lit landscapes. Galerie Hiltawsky is proud to present a broad selection of the most outstanding works of this French photographer. During the opening reception, the artist will personally present a collection of photographs from various series’, together with Christian Hiltawsky and for the first time in Berlin.
Nicolas Dhervillers’ expansive and phenomenal photographs sit between history and modernity and illustrate small still lifes and vast landscapes. "Art history often influences my work", says Dhervillers. "Before I moved to Paris to study photography, I was inspired by the cinema and also learned a great deal about the theatre. Elements from all of these artistic genres inform my photographs today."
Amongst others, the exhibition showcases works from Dhervillers’ series, "Hommages", "My Sentimental Archive", "Nostalghia", "Behind The Future", "Transfer" and "Oculi".
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© Judith Dorothea Gerke |
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Schöne Aussichten in der Bank
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24 Nov – 20 Dec 2017
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Danila Tkachenko: "Untitled #2", from the series "Motherland", 2016-2017
96 x 120 cm, Ed. 9 + 2 A.P. |
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Fri 24 Nov 19:00
25 Nov 2017 – 3 Feb 2018
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| © Annie Leibovitz, Meryl Streep, New York City, 1981 |
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| 24 November 2017 – 27 April 2018 |
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"Annie Leibovitz" is the title of a new exhibition at Jörg Maaß Kunsthandel with more than 30 of Leibovitz‘ most famous portraits of prominent personalities. For many years this is the first solo exhibition in Germany, presenting the work of the American photographer.
The exhibition is dedicated exclusively to Leibovitz as a portrait photographer. The range of works from the late 1970s until today displays a "Who-is-Who" of the international showbusiness, of sports and music stars, with incredibly striking pictures as for instance from Scarlett Johansson, Nicole Kidman, Robert Redford via Brad Pitt and Muhammad Ali through to Miles Davis and Michael Jackson.
The mystery of Annie Leibovitz‘ success is certainly her unique way of portraying. She studies her respective model thoroughly before the shooting and is thus able to get to the heart of the character of the individual in a matchless way. At times exaggerating or amusing, she carves out the characteristic features of those who are posing for her. Like nobody else, Annie Leibovitz masters the art of perfectly arranged and sometimes lavishly fitted settings, at all times matching the character of the portrayed person. |
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Ohne Titel (Qualle), 2017
Silbergelatine Baryt, 24 x 18 cm
Courtesy BQ, Berlin and ProjecteSD, Barcelona
© Jochen Lempert / VG Bild-Kunst, Bonn 2017 |
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Tue 28 Nov 18:30
29 Nov 2017 – 18 Feb 2018
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Jory Hull |
Untitled (November 4, 2016)
from "@joryhull - an instagram sketchbook"
11 x 11 cm
Digital Chromogenic Print
© 2017 Jory Hull |
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Jory Hull » @joryhull - An Instagram Sketchbook
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24 November 2017 – 13 January 2018 |
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Opening: Thursday 23 November 2017, 6-10pm |
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Instagram has developed into one of the primary grassroots venues for artists as well as collectors, museums, advisors and curators to publicize artworks. In its functions as a medium, exhibition space and artistic sketchbook, it has been tool and content of diverse artistic approaches, fueling an ambivalent stance on and diverse – and even critical – receptions of social media. Recent artistic approaches using Instagram as platform and/or medium are for example Amalia Ulman’s Instagram performance "Excellences and Perfection" from 2014, Richard Princes disputed appropriation of portrait photographs "New Portraits" from 2015 and Steven Shores Instagram series "American Surfaces", that originated as a book in the 1970s and was continued as a digital variation on Instagram.
In "@joryhull – An Instagram Sketchbook" the Brooklyn based photographer Jory Hull reflects on the agency of Instagram in contemporary visual culture. The show links the photo-sharing platform Instagram as a virtual sketchbook with Jory Hull’s physical artworks. It also highlights the transient nature of Jory’s artistic process and shows how the continued exploration of views and narratives in his environment help inform the final work he produces. Jory Hull is not bound to any given medium, rather he transitions to whichever material is best suited for rendering the images he creates. His oeuvre includes painting, assemblage, video, and photography. His work investigates and challenges our common views of everyday objects by altering their contexts and narratives.
"@joryhull – An Instagram Sketchbook" is decidedly ambiguous in that it shows Jory Hull’s works as they would be hung in hi… |
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Joachim Schmeisser: "Primo" Kenya 2017 |
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Thu 23 Nov 19:00
23 Nov 2017 – 27 Jan 2018
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| CZANARA - Raymond Carrance (1921-1998) |
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| 24 November 2017 – 13 January 2018 |
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| Opening reception: Thursday 23 November 18:00 |
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Raymond Carrance (1921-1998) was a French photographer, painter and illustrator. He was also known for his homoerotic images, published under the name of "Czanara".
Carrance's career began in advertising, as a draughtsman for the likes of Perrier and illustrating the works of Jules Renard, Cyrano de Bergerac and Henry de Montherlant. His photographs referenced his private life and were a source of inspiration for drawings and engravings. Carrance never intended to sell his photographs and if they were not unique, were only reprinted two or three times.
Before his death, Raymond Carrance gifted Patrick Sarfati 100 vintage photographs: seventy silver prints from the 1950s and 60s, about twenty colour photomontages from the 1970s, and a small selection of photo-collages, in which the artist allows his imagination and fantasies, full reign.
David Guiraud Gallery is proud to present the premiere exhibition of this yet unpublished collection of photographs, with the cooperation of Patrick Sarfati, and from November 23rd until January 13th, 2018. |
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Gérard Musy, Tropea, Calabria, Italy, from the series Lontano/Lejano, 1978
Gelatin silver print on baryte paper 80 x 120 cm, edition of 8
© Gérard Musy, courtesy Galerie Esther Woerdehoff |
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| 29 November – 23 December 2017 |
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| Opening reception: Wednesday 29 November 18:00 |
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With a passion for night and lust, Gérard Musy began to photograph in the late 70s. Between New York, London and Paris, he plunged into the excitement of these cities’ nightlife. In fashion shows backstage, at private parties and nightclubs that illuminated the 80s, or in the hidden mystery of the S/M scene, Gérard Musy transfigured desire, beauty and fantasy into vivid and vibrant photographs. With an everlasting enthusiasm, the photographer aspires to embody his subject and to vanish in a complete empathic desire. Working on various series over the years, from fashion and fetishism to travels and trees, Musy constructs a multiple work, with a fluidity and a vital energy that inspires each of his images.
With this exhibition, the Swiss photographer, now living in Paris, offers us a journey through forty years of prints, playing with reflections and echoes between his images. We follow one photograph after another through visual links and this repetition of formal elements gives a sense of flow, an uninterrupted visual sequence. In this world of appearances, of women in finery, he makes an exhibition of beauty, a play of figurative rhythms, in a precarious balance between order and chaos.
Gerard Musy went back to his archives for this exhibition, looking for vintage prints, mostly unpublished. Large spectacular prints echo on the walls of the gallery in a shock of colours, graphic lines, shadows and lights. Beyond, Lustre, Lamées, Leaves, Lontano/ Lejano and Back to Backstage, a composition of images unfolds, random snapshots of reality, sensual light bursts, in a true photographic euphoria! |
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© Daniel Poller |
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Grenzen | Borders
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Wed 29 Nov 19:30
30 Nov 2017 – 10 Feb 2018
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| from the series PONY CONGO © Vicente Paredes |
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| 22 November – 23 December, 2017 |
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Public opening: Wednesday, 22 November, 6:30pm |
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This series of diptychs confronts the viewer with two seemingly totally opposed representations of childhood: on the one hand, young upper-class Spanish horse riders participating in pony racing events; on the other, children living in modest conditions in the Democratic Republic of Congo. By causing this unlikely “photographic encounter” between young teenagers who bear the weight of social pressure and young Africans forced to work to support their families, Paredes ironically points to the stereotyped views that still prevail in our post-colonial societies. His photos reveal the disparities between colonisers and the colonised by focusing the viewer’s gaze on the current issue relating to children’s image rights. The portraits of the young Spanish jockeys, which have been blacked out to ensure anonymity, contrast with the faces of the Congolese children exposed to the lenses of photographers from the world over, with little or no respect for their private sphere. By showing this rather inconvenient truth, this work leads us to question the social construction of the ‘poor African’ image and, more broadly, the power of pictures that remain etched in Western consciousness.
This project was the subject of a book published in 2015 by "This Book is True," a publishing house established by Spanish artist Cristina de Middel. In 2016, the Pony Congo publication was named in the Best Books of the Year category at Fotobookfestival Kassel and featured among the finalists for the Author Book Award at the Rencontres d’Arles. |
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from the series Russian Interiors, 2013
ANDY ROCCHELLI (Pavia 1983 - Sloviansk 2014) |
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Works from the series
Bunkers, Maidan, Russian Interiors, ...
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Thu 23 Nov 18:00
23 Nov 2017 – 14 Jan 2018
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Fairs |
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Fri 24 Nov 17:00
24 – 26 Nov 2017
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Auctions |
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Lot 2144
Frank Thiel "Die Alliierten". (The Allies). 1994
Twelve-part installation, composed of 4 triptychs, C-prints, Diasec, 2000/2001.
Large photos each 217,5 × 174 cm (85 5/8 × 68 1/2 in.),
small photos each 34,8 × 27,8 cm (13 3/4 × 11 in.).
Estimate: EUR 80.000 – 120.000 / USD 94,200 – 141,000 |
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Modern and Contemporary Photographs |
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| Abbott, Berenice 2171
Andessner, Irene 2192
Arbus, Diane 2150
Atget, Eugène 2032, 2033
Avery, Sid 2016
Baltz, Lewis 2061
Barney, Tina 2167
Baumgartl, Nomi 2211
Beaton, Cecil 2115
Bergemann, Sibylle 2006, 2098
Biermann, Aenne 2146, 2174
Bleicken, Bleicke 2078, 2079
Blumenfeld, Erwin 2117, 2118
Borchert, Christian 2147
Boucher, Pierre 2172, 2191
Bourke-White, Margaret 2133, 2170
Brassaï 2100, 2148
Brohm, Joachim 2139
Bruch, Klaus vom 2207
Bulmer, John 2041, 2042
Callahan, Harry 2089
Castell, Giovanni 2125
Clark, Larry 2091
Clergue, Lucien 2194
Cunningham, Imogen 2029
Doisneau, Robert 2034, 2197
Edgerton, Harold E. 2166, 2168
Ehrhardt, Alfred 2083, 2084
Eigen, Frauke 2153
Eisenstaedt, Alfred 2005, 2028
Eschen, Fritz 2208
Feininger, Andreas 2000, 2046, 2095, 2131, 2132
Fink, Larry 2014
Fleischmann, Trude 2116
Frank, Robert 2163
Galella, Ron 2012, 2013, 2025
Gibson, Ralph 2036, 2037, 2186, 2195
Glinn, Burt 2080
Gräfe, K. 2137
Groebli, René 2074, 2075
Güler, Ara 2045
Gundlach, F.C. 2019, 2020, 2021, 2077, 2122, 2127
Gütschow, Beate 2039
Halsman, Philippe 2018
Hammarskiöld, Hans 2202
Hanzlová, Jitka 2099
Haskins, Sam 2196
Hervé, Lucien 2035
Heyman, Ken 2203
Hoepffner, Marta 2179
Horst, Horst P. 2104, 2107, 2187
Hoyningen-Huene, George 2119
Jacobi, Lotte 2027, 2111, 2184, 2201
Jouve, Valérie 2040
Keetman, Peter 2044, 2063, 2064, 2065, 2066, 2067
Kempe, Fritz 2198
Kemsa, Gudrun 2009
Kertész, André 2082
Kirkland, Douglas 2011, 2188
Klein, William 2102, 2128
Klemm, Barbara 2205
Kollar, František 2123
Krull, Germaine 2124, 2126
Lartigue, Jacques Henri 2113, 2114
Lebeck, Robert 2017
Leeser, Till 2073
List, Herbert 2050, 2051
Lutter, Vera 2001, 2002, 2038
Mark, Mary Ellen 2076
McBride, Will 2138, 2159
Meyer, Baron Adolph de 2165
Mies van der Rohe, Ludwig 2129
Molinier, Pierre 2193
Morell, Abelardo 2140
Morgan, Barbara 2112
Mühe, Andreas 2090
Munkácsi, Martin 2181
Neusüss, Floris M. 2108
Newman, Arnold 2200
Nixon, Nicholas 2154, 2155, 2156, 2157, 2158
Nothhelfer, Gabriele und Helmut 2097, 2161
Papageorge, Tod 2101
Paris, Helga 2092, 2160
Parr, Martin 2164
Priem, Karin 2105
Renger-Patzsch, Albert 2068, 2086, 2134
Riebesehl, Heinrich 2054, 2055
Ronkholz, Tata 2135, 2136
Rössler, Jaroslav 2178
Roszak, Theodore 2175, 2176, 2177
Sander, August 2047, 2069, 2141, 2142, 2143, 2209
Schatt, Roy 2022
Schneiders, Toni 2072
Schulthess, Emil 2024
Schürmann, Herbert 2180
Seymour, David 2026
Shore, Stephen 2056
Sima, Michel 2199, 2204, 2213
Siskind, Aaron 2081
Sougez, Emmanuel 2183
Stankowski, Anton 2103, 2185
Steichen, Edward 2030, 2031
Steinert, Otto 2070, 2071
Stern, Phil 2023
Stettner, Louis 2008, 2152
Stone, Erika 2169
Strand, Paul 2003, 2004, 2093, 2094
Strömholm, Christer 2149, 2151
Sudek, Josef 2058, 2059, 2210
Sullivan, Ed 2015
Thiel, Frank 2062, 2144
Tuggener, Jakob 2120, 2121
Umbo 2106
Vachon, John 2130
Vadas, Jolán 2182
Villers, André 2212
Volz, Wolfgang 2057
Watson, Albert 2206
Wenders, Wim 2048
Wesely, Michael 2010
Weston, Edward 2085
Winogrand, Garry 2007, 2052, 2053, 2173
Witkin, Joel-Peter 2190
Wood, Tom 2043, 2162
Wrede, Thomas 2060 |
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Auction in Berlin:
Wednesday, 29 November 2017, 6pm
Preview Berlin
24 - 27 November 2017
Grisebach, Fasanenstraße 25, 27 und 73
Fri - Mon 10am - 6pm, Tue 10am - 3pm
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Auction 284 / Lot 964[R]
Rineke Dijkstra
“Yusra Mardini, Berlin, January 8, 2017” . 2017
Inkjet print on Alu-Dibond
60 × 47 cm (80,5 × 67,3)
23 ⅝ × 18 ½ in. (31 ¾ × 26 ½).
Signed in pencil on the inside of the cardboard backing: Dijkstra .
One of 3 copies . [3095 ] Framed . Courtesy of the artist and Galerie Max Hetzler, Berlin | Paris
EUR 15.000–20.000
USD 17,700–23,600 |
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Fri 1 Dec 17:00
Preview: 24 – 28 Nov 2017
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Rineke Dijkstra’s portrait photo shows the 19-year-old swimmer Yusra Mardini, who fled the turmoil of the Syrian conflict for Europe in 2015, leaving her parents behind in her war-torn homeland. When the refugee boat on which she and her sister had crossed the Mediterra - nean began to sink just off the Turkish coast, the two girls mustered their final reserves of energy to pull the vessel ashore with a rope. Scarcely arrived in Berlin, Yusra Mardini began training as a swimmer and was able to partici - pate in the 2016 Olympics in Rio de Janeiro as a member of the Refugee Olympic Team (ROT). Rineke Dijkstra portrays Yusra as a self- confident young woman whose visage moves us with its inner strength and natural repose. Rineke Dijkstra often spends years to build a strong and intimate rapport with her models – often teenagers, clubbers, soldiers, emigrants, students or bullfighters – thereby allowing her to capture the personality of her subjects in a uniquely sensitive and respectful way
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| Lot 4066 India. 1870s–1890s. Group of 9 albumen prints |
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Bassenge Photography Auction 110 |
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Photography from the 19th - 21st Century |
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Wednesday, December 6, 2017 15:00
Erdener Str. 5a, 14193 Berlin
Preview:
Rankestrasse 24, 10789 Berlin
27 November – 2 December: 10 – 18:00
4 December: 10 – 18:00
5 December: 10 – 15:00
as well as by appointment
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Lot 204
Heinrich Kühn, In the Dune
Oil transfer print, printed c. 1915. 30 x 38.3 cm (30.6 x 38.8 cm). Signed in pencil lower right.
Estimated price €8.000 - €10.000
Auction 1098, Photography, 01.12.2017, 16:00, Cologne |
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Lempertz - Photography |
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Auction 1098 | Photography
Bryan Adams » Brassaï » Robert Frank » Heinz Hajek-Halke » Peter Hujar » Man Ray » Wilhelm Plüschow » Sebastião Salgado » Jeanloup Sieff » Otto Steinert » Alfred Stieglitz » Wilhelm von Gloeden » Hans Watzek » Ludwig Windstosser » ...
Friday, 1st December 2017 14:00
Heinrich Kühn » . Sixty Photographs
Friday, 1st December 2017 16:00
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Vernissage: Friday, 24 November 2017 18:00
Preview: Saturday 25th November 10:00 – 16:00 | Sunday 26th November 11:00 – 15:00 |
Monday 27th Nov – Thursday 30th November 10:00 – 17:30 |
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Highlight of this autumn’s photography sale is an important collection of 60 photographs by Heinrich Kühn (1866 – 1944). This rare selection of exceptionally fine works is sure to resonate well with collectors.
What makes this group of works from South German private ownership so special is the exceptional quality of the individual sheets, the range and variety of the subjects, and the perfection with which they are printed. Kühn was a master of various printing techniques: Gum dichromate, gum dichromate over platinum, photogravure, oil transfer print, and - his favourite method - the multiple oil transfer print. Kühn’s goal was to establish photography as an artistic medium on par with painting. His photographs are characterised by their impressionist blurring, which separates his work as an ambitious “art photographer” from the products of other professional photographers in the early 20th century. Kühn’s favoured motifs, including landscapes, figures in landscapes, still lifes, portraits, and nudes, are all to be found among the lots on offer. The sale also includes several of his well-known “tonal value studies” in which Kühn experimented with transferring visual impressions into monochromatic images. One of the highlights of the collection is a portrait taken by Kühn in 1904 of his friend and fellow photographer Alfred Stieglitz, a key player in the American Pictorialist movement (lot 206, €10 – 15,000). Both this work and the self-portrait of the painter have never been sold before at auction (lot 206, €10,000 – 15,000). |
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Kim In Sook
Saturday Night, 2007/2010
Lightbox
157.5 x 251 x 16 cm (total dimensions)
Estimate € 30.000 - 40.000
Lot 645 / Auction 1100 Contemporary Art + Photography |
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Lempertz - Photography |
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Auction 1100 | Contemporary Art and Photography
Tina Barney » Rineke Dijkstra » Nan Goldin » Andreas Gursky »
Candida Höfer » Doug Hall » In Sook Kim » Thomas Ruff » ...
Saturday, 2nd December 2017 14:00
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Vernissage: Friday, 24 November 2017 18:00
Preview: Saturday 25th November 10:00 – 16:00 | Sunday 26th November 11:00 – 15:00 |
Monday 27th Nov – Thursday 30th November 10:00 – 17:30 |
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The Contemporary Art and Photography sale will include quintessential works of the Düsseldorf School. Photographic highlight in this sale is “Schwimmbad Ratingen” by Andreas Gursky, a chromogenic print from 1987 (lot 635, €18,000 – 22,000). Alongside this you will find two large-format nudes from Thomas Ruff’s eponymous series (lot 814/815, from €15,0000 – 20,000 to €25,000 – 30,000) as well as two “libraries” by Candida Höfer from the 1990s, both medium sized works from the edition of six (lot 816/817, €6,000 – 8,000 and €8,000 – 10,000).
The Contemporary Photography offer showcases a broad range of international artists: The Korean photographer Kim In Sook is represented by two works from her well known series of nocturnal building facades, one mounted over a lightbox (lot 645/646, €25,000 – 30,000 and €30,000 – 40,000). The Dutch photographer Rineke Dijkstra is known for presenting her subjects alone in the centre of the image before a neutral background. The two works in this sale both depict young girls and were taken in Brighton, England and Odessa, Ukraine (lot 869/870, €5,000 – 6,000 and €15,000 – 20,000). Photographs by Nan Goldin (lot 789, €3,500 – 4,500), Tina Barney (lot 468/469, each €4,000 – 6,000), and Doug Hall (lots 741 – 743, from €3,500 – 4,500 to €6,000 – 8,000) demonstrate the diversity of American photographic art. |
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Lot 1878
RICHARD AVEDON (1923-2004)
Naomi Campbell, New York City, 2001.
Archival Pigment Print. Vintage.
Image size 37.8 x 37.4 cm; sheet size 50.2 x 40.5 cm.
Verso signed "Avedon, imprinted caption with photographer's copyright, inscription and date.
Estimate: CHF 15 000 / CHF 25 000 | (€ 13 890 / € 23 150) |
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Photography |
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Auction:
Wednesday, 6 December 2017, 2 pm
Preview:
29 November – 3 December 2017
102 Hardturmastrasse, 8031 Zurich
Online catalogue:
www.kollerauktionen.ch
Lecture: "Richard Avedon – The Black Series"
Daniel Blochwitz, Curator for Photography and Consultant
Wednesday, 29 November, 6pm |
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Koller Auctions" 6 December auction of Photography will feature a wide range of works, starting with the beginnings of photography with interesting daguerreotypes (lots 1601-1609), a rare album with early views of China and Hong Kong by Lai Afong (lot 1616), and views of the Alps by Albert Steiner, Emil Meerkämpfer and Emanuel Gyger.
The auction continues with classic photos by Henri Cartier-Bresson (lots 1695-1696 & 1700), a unique glass negative by Frantisek Drtikol (lot 1710), portraits of Marilyn Monroe by Bert Stern (lots 1846 & 1847), Lawrence Schiller (1844 & 1845) and Bruno Bernard (lots 1835-1839), and contemporary photographies with large-format “Marcotypes“ from the Zurich-based photographer Marco Pellanda (lots 1888, 1899-1901 & 1921) and a monumental floral still life by Michael Wesely (lot 1890).
A highlight of the Photography auction is a collection of 19 portraits by Richard Avedon, which he created in 1998-2001 for an advertising campaign by Winterthur Insurance International. This series comes from a Swiss private collection, and it is the first time that it has been offered publicly in this format. The photographs will be sold individually , and depict personalities such as Nikki Lauda, Giovanni Agnelli, Desmond Tutu, Naomi Campbell, Richard Avedon and Donald Trump.
The top lot of the auction is the rare view “London 1951” by Robert Frank (lot 1702), in which the photographer depicts the social disparities in the British class society. |
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Festivals |
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Upcoming |
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| Regimes of Truth |
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| 24 November – 15 December 2017 |
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LagosPhoto is the first and only international arts festival of photography in Nigeria. The festival presents photography as it is embodied in the exploration of historical and contemporary issues, the promotion of social programmes, and the reclamation and engagement of public spaces in showcasing contemporary photography.
LagosPhoto Festival is delighted to announce the 8th edition of the Lagos Photo festival, themed Regimes of Truth.
Held between the 24th of November- 15th of December, this year’s LagosPhoto encompasses an engaging programme of events with cultural and artistic gains. Exhibitions of finely curated works of photography from the African continent and the diaspora, large-scale and performative installations dotted around iconic public spaces in Lagos, as well as artists’ presentations, workshops and the like.
Regimes of Truth will explore the pursuit for and presentation of truth in contemporary society, gleaning inspiration from the writings of some of the 19th and 20th centuries' most influential literary realists and intellectuals. Gustave Flaubert’s L’Empire de la Bêtis (The Empire of Stupidity), Orwell’s creation of “doublethink” from his dystopian novel 1984, as well as the writings of Foucault, Achebe and Huxley, all possessed foresight about contemporary society’s concurrent quandary, whereby access to information on one hand and substantive facts on the other hand, are masked by a constructed rhetoric. Regimes of Truth thus ruminates on the tension and confluence between veracity and artifice in society today.
Contemporary photography serves as a gatekeeper of reality and truth as well as a conjurer of artistic imaginings for the viewer’s pl… |
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Thu 23 Nov 11:00
23 – 26 Nov 2017
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WINNER OF THE JIMEI X ARLES DISCOVERY AWARD
Silin Liu: I'm everywhere |
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| 25 November 2017 – 3 January 2018 |
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| Opening Week: 25-28 November 2017 |
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The 2017 festival will boast the works of more than 250 artists from the United States, France, Iran, Spain, the Netherlands, Indonesia, and of course China. The festival’s aim of providing a platform for new Chinese photography has once again been re-affirmed with several exhibitions showcasing young Chinese photographers and curators. The 40 exhibitions of 2017 Jimei x Arles attest to the diversity of photographic approaches and practices, and will include:
- 8 exhibitions from Rencontres d’Arles 2017:
Early Works by Joel Meyerowitz, | Superfacial by Audrey Tautou | The Gorgans by Mathieu Pernot | Iran: Year 38 with 66 Iranian photographers | Stories of the Immediate Present by the Spanish collective Blank Paper | Retracing Our Steps, Fukushima Exclusion Zone - 2011-2016 by Carlos Ayesta & Guillaume Bression | The Parallele State by Guy Martin | The 2017 Book Awards
- 3 China Pulse exhibitions curated by young Chinese curators and China photography specialists: Uncertain Traces (curated by Du Xiyun), To be an image maker (curated by He Jing), BrokenIce: 160118-170811 (curated by Ruben Lundgren);
- A Crossover Photography exhibition curated by Shen Chen, Phantom Pain Clinic;
- 10 Jimei x Arles Discovery Award nominees picked by five young curators: Guo Yingguang and Jiang Yuxin (curated by He Yining), Shao Wenhuan and Yu Mo (curated by Liu Tian), Deng Yun and the real (curated by Nie Xiaoyi), Yu Feifei and Siu Wai Hang (curated by Tang Zehui), Feng Li and Sun Yanchu (curated by Thomas Sauvin). The winner of the 2017 Jimei x Arles Discovery Award will be awarded a 200,000 RMB prize and an exhibition in 2018 Rencontres d’Arles;
- 7 Local Action programs featuring Xiamen curators and artists: After the Ebb curated by Chen Wei, Visuality is the Scene of Negligence curated by Wang Qi, Lu Yanjin's Sister curated by Huang Rui, DaSoHo Project curated by Kong Yan, City Thinking curated by Lei Yuting, Houtian Project;
- A solo show of photography master Wang Wusheng, curated by RongRong & inri;
- 3 "Greetings from Indonesia" exhibitions showcasing the vitality of contemporary Indonesian photography, with works by Oscar Motuloh and Ruang MES 56;
- A Collector’s Tale exhibition showing collector Huang Jianpeng's Chinese photography treasures, namely the works of Chinese photography pioneers Chin-San Long, Xue Zijiang and Lan Zhigui.
Jimei x Arles aims at strengthening its role as a platform for photography in Asia. Along with the exhibition program, a number of events are organized for photography professionals, art lovers and the public during the Opening Week (November 25-28): Photobook Station, PhotoFolio Reviews, public discussions about photography, the ‘Arles Night of the Year’ screenings, university lectures, performances, and exhibition tours guided by artists and curators.
Aside from the Jimei x Arles Discovery Award, the festival has created this year a special prize rewarding a woman photographer: the Jimei x Arles – Madame Figaro China Women Photographers Award, co-organized with women's magazine Madame Figaro, with the support of Women in Motion, an international programme launched in 2015 by luxury group Kering to showcase the contribution of women to the film and image industry.
With two main sites in Xiamen’s Jimei District and several other sites in the city, the festival aims to connect and animate separated cultural areas and spaces, to relay and promulgate different art forms through the city. |
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Current |
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| Caleb Charland - Orange Battery (from the series'Back to Light') |
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| Noorderlicht Photofestival 2017 |
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| until 26 November 2017 |
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NUCLEUS | Imagining science
From 22 October - 26 November 2017, the 24th edition of the Noorderlicht International Photography Festival will take place. During ‘NUCLEUS, imagining science’ work of 74 photographers from 26 countries can be seen at seven locations in Groningen, Eelde and Assen.
Tribute to human ingenuity
NUCLEUS is about science and the representation of it by independent photographers and artists. In response to social developments, more and more artists use science in their research and as a source of inspiration. Science and art form a fertile combination after all. Both disciplines work from an investigative urge, with curiosity, originality, creativity and an open mind as fundamental principles. In NUCLEUS, the photographers tell their stories about science and the representation of it in around 700 images. It is the first time a collaboration from Noorderlicht will occur with KINK in Assen and Museum De Buitenplaats in Eelde.
www.noorderlicht.com |
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Ramak Fazel
Untitled, 2017
serie Chicago project
60×80 cm
stampa cromogenica |
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Borderlines Città divise/Città plurali
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– 10 Dec 2017
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| © Polixeni Papapetrou, The Reader, 2009
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Biennale Internazionale di Fotografia
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– 10 Dec 2017
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| El enigma de las 4 “E” © Pablo Lecroisey
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FOTOMÉXICO 2017 |
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LATITUDES - International Photography Festival |
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136 venues |
147 exhibitions |
614 artists |
23 cities |
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October ‐ December 2017 |
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More information and complete program:
www.fotomexicofestival.com.mx
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FOTOMÉXICO 2017, the International Photography Festival is a space for creativity, a reference in the reflection and dialogue about national and international photographic production, a diverse expression of the vitality, relevance, and strength of this medium and its creators.
From October to December, under the coordination of the Centro de la Imagen, FOTOMÉXICO 2017 is a forum open to the diverse and multiple works of our photographic creators. It is a meeting place for the photography community with venues in museums, galleries, and exhibition spaces that also join the Foto
México Network’s initiatives.
Dedicated to theme of "Latitudes", this second edition of the festival offers plural, geographic, anthropological, and multidisciplinary perspectives, with exhibitions by renowned artists from Mexico, Brasil, Chile, France, Brasil, United States, Argentina, Peru, Spain, France, Germany, Scandinavia, India, Japan, South Africa, Mali and Nigeria, among others.
A broad program of parallel activities complements the festival, which for the first time organizes a call for entries to participate in portfolio review that brings together outstanding photographers, visual artists, and curators, to generate a dynamic of feedback with all those who have submitted their work. The Museo Amparo in Puebla once again opens its doors to host the International Photography Meeting 2017, an event not to be missed in this edition of the festival.
FOTOMÉXICO 2017 is an opportunity for the public to experience in this artistic expression that captures the moment to eternalize it through the multiple eyes of the photographic c… |
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liquid time (2017) © Michael Najjar
Format 1: 132 x 202 cm / 52 x 79.5 in, edition of 6 + 2 AP
Format 2: 67 x 102 cm / 26.3 in x 40.2, edition of 6 + 2 AP
Hybrid photography, archival pigment print, aludibond, diasec, custom-made aluminium frame |
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Clouds ⇄ Forests
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| 7th Moscow International Biennale of Contemporary Art |
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| – 18 January 2018 |
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The 7th Moscow International Biennale of Contemporary Art takes place in the New Tretyakov Gallery (The State Tretyakov Gallery, 10, Krymsky Val, Moscow) from 19 September 2017 to 18 January 2018. The Main Project Clouds⇄Forests is curated by Yuko Hasegawa - one of the leading curators in the international art world - and includes 52 artists from 25 countries.
The concept of Clouds⇄Forests focuses on a new eco-system formed through the circulation of "Cloud Tribes" born on the Internet cloud space, and "Forest Tribes" born in an analogue world. Works of the artists in the Main Project are displayed in dialogue with works from the permanent exhibition of The State Tretyakov Gallery.
Michael Najjar » has been invited to participate in the Biennale with several large-scale artworks from his celebrated "outer space" series. On view for the first time will be his "liquid time" triptych, created especially for the Biennale. This work highlights the fragility of our ecological balance and the significance of the change of state from ice to water because glaciers are storehouses of time - layer on layer they capture the air, water and oxygen of countless thousands of years. The picture was taken in early 2017 in an ice cave under the Breiðamerkurjökull glacier in Iceland.
Also on view, in the All-Russian State Library, will be Michael Najjar´s striking new video artwork "terraforming". The work focuses on transformation of a natural environment through energy input and combines footage taken on various locations in Iceland in early 2017 with Martian landscapes shot by NASA´s Curiosity Mars rover.
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Sharon Lockhart, LITTLE REVIEW, 2017. Single-channel installation, HD Video.
Courtesy of the artist and Zachęta – National Gallery of Art, Warsaw |
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| – 26 November 2017 |
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The 57th International Art Exhibition, titled VIVA ARTE VIVA and curated by Christine Macel, is organized by La Biennale di Venezia chaired by Paolo Baratta. The Exhibition will be open to the public from Saturday May 13th to Sunday November 26th 2017, at the Giardini and the Arsenale venues. The preview will take place on May 10th, 11th and 12th, the awards ceremony and inauguration will be held on Saturday May 13th 2017.
The Exhibition will also include 85 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city centre of Venice.
Also for this edition, selected Collateral Events by non-profit national and international institutions, present exhibitions and initiatives.
Detailed information can be found on www.labiennale.org/en/art/ |
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© 8 November 2017 photography-now.com
Ziegelstr. 29 . D–10117 DE . Berlin . Editor: Claudia Stein + Michael Steinke . contact@photography-now.com . T +49.30.24 34 27 80 |
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