5TH MOSCOW BIENNALE

20 September- 20 October 2013

BOLSHE SVETA / MORE LIGHT

Curator: Catherine de Zegher
Commissioner and Artistic Director: Joseph Backstein

On September 19, the Moscow Biennale of Contemporary Art opens its fifth edition at Manege.

Catherine de Zegher, the Curator of the Fifth Moscow Biennale of Contemporary Art was the Artistic Co-Director of the 18th Biennale of Sydney, Australia (2012), Guest Curator in the Department of Drawings at the Museum of Modern Art in New York and Visiting Curator at Tapies Foundation in Barcelona. In previous years, de Zegher held positions as Executive Director and Chief Curator of The Drawing Center in New York (1999-2006) and was Director of Exhibitions and Publications at the Art Gallery of Ontario in Toronto.

Commenting on her plan for the 5th Moscow Biennale, Catherine de Zegher emphasizes:
“Bolshe Sveta / More Light allows for a dynamic platform stimulating vivid conversation and action, at the crossroads, where different concepts of space and time, and consequent structures of thought and sensibility, are proposed. In many parts of the world, the contemporary global network society is developing a very specific space-time dimension (or ‘chronotopy’) with an emphasis on fast pace and uniformity of experience. The interconnected world has lost sight of our place in a present that is never ‘here and now’, because in the flow of globalization, a local chronotopy in which our perception of time is connected to a geographically defined place, is supplanted by a global chronotopy. With world time increasingly ticking to the rhythm of neo-liberal capitalism, space is being obliterated through time. Consequently, there is an urgent need to enact another kind of movement. Slow time, then, can be key to being differently in a world that is otherwise driven by capital and patriarchy.

The 5th Moscow Biennale foregrounds artists whose work focuses on complex ways of giving, taking, and spending time and questions normative alignments of space-time. While being a reflection on different structures of space-time—both in the context of capitalist economic overproduction and new technologies—Bolshe Sveta / More Light considers space-time as energy, as light, as the energy generated between us, as a creative force, as life force. It acknowledges the necessity of passionate commitment and illuming creation for the development of new thinking. Therefore human experience is firstly directed toward the small actuality of the present condition instead of being home to a nostalgia for the past or a utopia for the future, because that hoped-for-future is always elsewhere.

On a global and local scale, artists are investigating issues concerning the increasing lack of time (we have ‘no time’) and the corporate encroachment on space. Artists do so, for example, by creating ‘Factories of Free Time’ or proposing ‘In a Different Time’; they invite audiences to ‘Stitching Time’, and entreat them to ‘A Moment of Eternity in the Passage of Time’, an ‘Infinity Landscape’ or ‘To Trample Down an Arable Land’—all works that will be shown in the upcoming Biennale. The focus on space-time, as it is experienced in diverse parts of the world, shapes the 5th Moscow Biennale—the notions of ‘taking place’ as space, happening, occurring and ideas of ‘the present’, in short, a ‘space-time’ situated in contemporary debate. In contradistinction of the thematic in current exhibition making, the Biennale proposes a sphere of energetic negotiation, a very lively issue in the actuality of new thinking and of new concepts of art for the twenty-first century.

During the twentieth century, modernity has stressed individualism, independence, identity and the differences that go with it. Negativity was the basis of radical critique and the critique was a way of looking to the past while moving ahead, without facing the present and future. In Bolshe Sveta / More Light, artists and audiences experience a new engagement in the continuities between past, present, and future, through daily routines and rituals, in a time that is of the present, sometimes intimate and domestic, and that is related to our environment. It is an attempt to shed more light on large problems and questions of our time in society.

The main project of the Moscow Art Biennale will bring together almost hundred artists from over 40 countries around the world: from India to Australia, from Azerbaijan to South-Afrika, from Belgium to Indonesia. Both established and young artists will be participating.

The Moscow Biennale is Russia’s most prestigious contemporary art event. It is organised by the Ministry of Culture of the Russian Federation, the Moscow Government, ROSIZO State Museum and Exhibition Center, Museum and Exhibition Association “Manege”, and the Moscow Biennale Art Foundation.

Location: Manege

The main project will be shown in the central exhibition hall of Manege. Today, Manege is one of the most prestigious venues in Moscow. Its building was initially constructed in 1817 by Spanish engineer Agustín de Betancourt. Manege is an architecturally unique building and is situated next to the Kremlin in the centre of Moscow. In 2005 the building underwent major reconstruction and is now equipped with the most modern exhibition facilities.

PARTICIPATING ARTISTS

Eija-Liisa Ahtila (Finland, 1959)
Umida Akhmedova (Uzbekistan, 1955)
Vyacheslav Akhunov (Uzbekistan, 1948)
Viktor Alimpiev (Russia, 1973)
Anonymous Artists (India)
Alfredo and Isabel Aquilizan (Philippines / Australia, 1965, 1962)
Shuvinai Ashoona (Canada, 1961)
Abilsaid Atabekov (Uzbekistan / Kazakhstan, 1965)
Richard Bell (Australia, 1953)
Peter Belyi (Russia, 1971)
Andrea Bianconi (Italy, 1974)
Geta Bratescu (Romania, 1926)
Alexander Brodsky (Russia, 1955)
David Claerbout (Belgium, 1969)
Collective of Artists (Russia)*
Lorraine Connelly-Northey (Australia, 1962)
Adam Cvijanovic (US, 1960)
Edith Dekyndt (Belgium, 1960)
Rena Effendi (Azerbaijan / Egypt, 1977)
Parastou Forouhar (Iran / Germany, 1962)
Yona Friedman (Hungary / France, 1923)
Aslan Gaisumov (Russia, 1991)
Gao Rong (China, 1986)
Simryn Gill (Malaysia / Australia, 1959)
Gisèle Gordon (UK / Canada, 1964)
Gorod Ustinov [Kirill Agafonov, Natasha Peredvigina] (Russia)
Ulrike Grossarth (Germany, 1952)
N.S. Harsha (India, 1969)
Mona Hatoum (Lebanon / UK, 1952)
Jumaadi (Indonesia / Australia, 1973)
Amar Kanwar (India, 1964)
Aisha Khalid (Pakistan, 1972)
Bouchra Khalili (Morocco / France, 1975)
Suchan Kinoshita (Japan / The Netherlands, 1960)
Valery Koshlyakov (Russia / France, 1982)
Eva Kotatkova (Czech Republic, 1962)
Elena Kovylina (Russia, 1971)
Nicolas Kozakis and Raoul Vaneigem (Belgium, 1967, 1934)
Ricardo Lanzarini (Uruguay, 1963)
Farideh Lashai (Iran, 1944-2013)
Mark Licari (US, 1975)
Mikhail Vasiliev-Lukachevsky (Russia, 1986)
Gabriella Mangano and Silvana Mangano (Australia, 1972)
Erin Manning (Canada, 1969)
Masasit Mati [Jameel Alabiad and Co] (Syria)
Julie Mehretu (Ethiopia / US, 1970)
Alan Michelson (US, 1953)
Tom Molloy (Ireland, 1964)
Wangechi Mutu (Kenya / US, 1972)
Avis Newman (UK, 1946)
Maya Onoda (Japan, 1979)
Selma and Sofiane Ouissi (Tunis / France, 1972, 1975)
Panamarenko (Belgium, 1940)
Alexandra Paperno (Russia, 1978)
Sopheap Pich (Cambodia, 1971)
Ed Pien (Taiwan / Canada, 1958)
Robin Rhode (South Africa / Germany, 1976)
Ranjani Shettar (India, 1977)
Alexander Sigutin (Russia, 1959)
Song Dong (China, 1966)
Frances Stark (US, 1967)
Samuil Stoyanov (Bulgaria, 1975)
Tavares Strachan (Bahamas / US, 1979)
Alia Syed (UK, 1964)
Sarah Vanagt (Belgium, 1976)
Dmitry Venkov (Russia, 1980)
Ria Verhaeghe (Belgium, 1950)
Adrian Villar Rojas (Argentina, 1980)
Gosia Wlodarczak (Poland / Australia, 1959)
Yin Xiuzhen (China, 1963)
Yang Yongliang (China, 1980)
Irina Zatulovskaya (Russia, 1954)

*Vladimir Arkhipov, Leha Garikovich, Sergey Kalinin, Egor
Koshelev, Mikhail Kosolapov, Paulina Koulik, Alexey Kuripko,
Pavel Kuznetsov, Anton Litvin, Diana Machulina, Anton Nikolayev,
Marina Perchikhina, Lisa Plavinsky, Alexander Podosivov,
Yuri Shabelnikov, Vika Shumskaya, Irina Steinberg, Imperator
WAWA (Vladimir Aleksandrov), Vlad Yurashko