Since her emergence in the late 1970s, Sherrie Levine has utilized diverse mediums to challenge conventional assumptions around autonomy, originality, and agency. Alongside contemporaries such as Cindy Sherman and Richard Prince who referenced the iconography of film and advertising, Levine turned her attention instead to the history of art. Probing the ways in which identity is generated through our relationship to images and forms, Levine’s works reckon with both the potentials and impedimen…
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