The momentary creation of space within pictures
»Hubert Becker's pictures leave the feeling of reliability in the observer« writes Heinrich Miess about his works*, but none of Hubert Becker's photographed motives show what they pretend to be: What looks like a drawing of shoes is actually a real pair of shoes, painted white and drawn over. The studio scene from Gerhard Richter is a built model after his own photograph, the Blossfeld only modelling clay.
Becker plays with our mistaken assumpt…
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