The images are made so that I can see the people in them, so that I can see me.
The self is contextual; contingent upon geography, system, relationship, memory, knowing…
And violence can be quotidian, like the landscape of prison shaping itself around my body. The images are made so that I can see me. I am haunted by Trauma. We are woven into this kaleidoscopic memoir by our desires to consume pain, to blur fact and fiction, to escape
—Sable Elyse Smith
Sable Elyse Smith’s p…
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