In her exhibition Simulacra, Alinka Echeverría revisits her project Nicephora, first developed as part of the BMW art residency at the Musée Nicéphore Niépce in 2015. This composite body of work critically addresses issues linked to the representation of women in photography. In Simulacra, Echeverría delves into a model of desire based on domination of otherness in such a way as to demonstrate how images convey illusions. She decentres the white male heritage o…
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