| Paris during Paris Photo 2018 |
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| Exhibitions ... Openings ... Art Fairs ... Events ... Auctions ... |
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Still of video installation, La Défense, the Venturing Gaze
© Paulien Oltheten 2018,
Courtesy Galerie Les Filles du Calvaire, Paris»
FOAM TALK» + DDK live #38» +
The 9th Carmignac Photojournalism Award»
ParisPhoto edition at Atelier Néerlandais on Friday 9 November 2018 |
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Paris Photo: 200 exhibitions | 10 fairs | 10 auctions | festivals | events |
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In the week of Paris Photo 2018 alone more than 150 photography exhibitions» are showing in Paris. Paris during Paris Photo 2018» is an exclusive and comprehensive guide for exhibitions and events, whereas Paris Photo 2018+» (sent yesterday) is a guide for all the fair activities.
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2018 institutional Highlights: Solo shows | Group exhibitions |
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Paris Galleries Photography Highlights |
| | Ingeborg, Wilhelmina and Gitta, Ensembles Balmain, Ricci et Lanvin-Castillo : Paris 1962 © F.C.Gundlach Foundation
The Paris galleries are showing a wide range of image-based art, from historic and rare work to innovative young artists, like Peter Puklus » (Galerie Folia») and 30 under 30 women photographers (Claude Samuel»). At Catherine & André Hug» Reine Paradis » constructs narrative photographs staging herself as the central figure in a surreal landscape. Major international galleries highlighting today’s most significant artists: Daniel Templon» shows David LaChapelle » Letter to the World; jousse entreprise» is featuring Kishin Shinoyama » The Birth (1968), Death Valley et Twin (1969), ; Emmanuel Perrotin» is exhibiting Sophie Calle » with a series of new photographs from Parce que (Because) and Souris Calle; Magnum Gallery» Cristina De Middel » , and Esther Woerdehoff» Isabel Muñoz » with a solo show at the gallery and at Paris Photo; A.Galerie» is opening Jimmy Nelson » Homage To Humanity; Galerie Miranda» shows the outstanding West Coast landscape and architectural photographs California/Mississippi of John Chiara » ; mfc-michèle didier» gathered an exceptional set of photographs, photo-text pieces and videos by American feminist performance artist, Martha Wilson » ; at Polka Galerie» are Joel Meyerowitz » and
Toshio Shibata ». And
Thierry Bigaignon» presents subtle, pure, delicate, minimal masterpieces of Yannig Hedel » . |
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Auctions Photography |
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In this week there will also important photo auctions» take place, already today at Millon» (Tue 6 Nov 2:30pm); ADER» (Thu 8 Nov 2pm), and at CHRISTIE'S» Hiroshi Sugimoto Photographs (Thu 8 Nov 6pm) and PHOTOGRAPHIES» (Thu 8 Nov 3pm) as well as at Sothebys (Fri 9 Nov). |
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Festivals and Events |
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Exhibitions Paris 1e | 2e | 3e | 4e Arr. (Selection) |
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| © Arja Hyytiäinen de la série Ile d'Enfance 2018, courtesy galerie VU |
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Opening: Sat 10 Nov 12:00
Thu-Sat 12-19:00 + |
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ILE D’ENFANCE
Exhibition realized in collaboration with Galerie VU’
Arja Hyytiäinen. Finnish. Born in 1974. Lives between Paris and La Rochelle.
« Completely contemporary, free and demanding, the work of Arja Katarrina Hyytiäinen is part of the today’s school, from the tradition of the street photography, and that has replaced its form to claim the author status. Saying its necessity and its singularity, devoting itself to subjectivity, and influenced by cinematographic aesthetic, the whole work, extremely respectful for representing people, is from a new contemporary humanism,” according to Christian Caujolle.
In just a few years, she has acquired a reputation throughout Europe, particularly where she has lived in Eastern Europe, and become known through her solo exhibitions (Czech Republic, Poland, Hungary, Moldavia, Slovenia). In 2006 she was awarded by the Kodak Prize for Critical Photography and the Fotoestiwal (Poland) Grand Prix in 2007.
- Agence VU |
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Foyer of the Salvation Army, New York, 1979 © Martine Franck / Magnum Photos |
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Tue-Sun 13-18:30; Wed 13-20:30 |
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| Yannig Hedel, "Crête en Feu" (1985). Vintage silver gelatin print |
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Tue-Sat 12-19:00 |
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Relentless street walker, Yannig Hedel (born in France, 1948) has been tracking the race of time on the urban architecture for 50 years, day after day, season after seasons, and offers us an extensive and coherent lifetime body of work.
While everything around him is accelerating, Yannig Hedel takes his time. And more precisely, he takes photographs of time itself! Street walker, he has rigorously captured the shadows, these ephemeral shapes made of light and time, to illustrate the passage of time. In all modesty, he has invented a new street photography, turning it into something formal, poetic and definitely silent.
Born in Brittany in 1948, Yannig Hedel took up residence in Lyon at the age of 22. He then began a photographic journey that led him over time to collect in the city various geometric shapes, metamorphosing simple gables into pyramids, banal chimneys into monumental hourglasses.
Yannig Hedel plays with scales and with classic photography codes. The viewer no longer knows how far away the photographed object really is. The play of light and shadow confuses the spectator and envelops him in a prodigiously silent and dreamlike feeling.
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© ANJA NIEMI |
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Opneing Thu 8 Nov 18:00
Tue-Sun 11-19:00 |
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August Sander, Persecuted, c. 1938
Gelatin silver print, produced by Gerhard Sander, 1990.
© Die Photographische Sammlung/SK Stiftung Kultur
– August Sander Archiv, Cologne;
VG Bild-Kunst, Bonn; ADAGP, Paris, 2018.
Courtesy of Galerie Julian Sander, Cologne and
Hauser & Wirth, New York. |
August Sander, National Socialist, c. 1940
Gelatin silver print, produced by Gerhard Sander, 1990.
© Die Photographische Sammlung/SK Stiftung Kultur
– August Sander Archiv, Cologne;
VG Bild-Kunst, Bonn; ADAGP, Paris, 2018.
Courtesy of Galerie Julian Sander, Cologne and
Hauser & Wirth, New York. |
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Persecuted / Persecutors, People of the 20th Century |
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| Mon-Sun 10-18, Thu-22:00 |
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“We can tell from a facial expression the work someone does or does not do, if they are happy or troubled, for life leaves its trail there unavoidably. A well-known poem says that every person’s story is written plainly on their face, although not everyone can read it.”* – August Sander
From March 8 to November 15, The Shoah Memorial is holding a major exhibition dedicated to a series of portraits taken during the 3rd Reich by one of German photography’s leading figures, August Sander (1876- 1964). Internationally recognized as one of the founding fathers of the documentary style, August Sander is the man behind many iconic 20th century photographs.
Towards the end of the First World War, while working from his studio in Cologne, August Sander began what would become his life’s work: a photographic portrait of German society under the Weimar Republic.
He called this endeavor “People of the 20th Century”. While his first publication was banned from sale in 1936 by the National Socialist government, in around 1938 Sander began to take numerous identity photographs for persecuted Jews. Later, during the Second World War, he photographed migrant workers. August Sander included these images, and some taken by his son Erich from the prison where he would die in 1944, in “People of the 20th Century”, along with portraits of national socialists taken before and during the war. Sander was unable to publish his monumental work during his lifetime, but his descendants still champion his vision to this day.
These photographs are exhibited here together for the first time, along with contact prints, letters and details about the lives of those photographed. They are portraits of dignified men … |
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Illustration pour Paul Vaillant-Couturier, « La Prochaine, communiste ! », supplément à « L’ Humanité », 1ère année, n°2, 1er août 1932, p.20 (conception graphique du numéro : Max Morise, Pontabry et Tchimoukow)
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La photographie sociale et documentaire en France. 1928-1936
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Wed-Sun 11-21:00 |
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Exhibitions Paris 5e | 6e Arr. (Selection) |
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| Tower from the Photo series Midnight 2016 - 2018 © Reine Paradis |
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Opening: Thursday 8 November 18-21:00
Wed-Sat 11-13:00, 14:30-19:00 |
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Reine Paradis constructs narrative photographs staging herself as the central figure in a surreal landscape.
Shot in many locations throughout America, her photo series takes us on an introspective journey across a symbolic and chromatic world, projected above the limit of reality and imagination.
All the scenes are imagined and conceptualized before shooting in real locations. Once the scene is visualized in it’s entirety, Paradis makes sketches and paints the scene to use as a blue print when photographing the final scene. All the costumes, accessories and origamis are meticulously designed and prepared by Reine according to the initial vision of the scene.
Each scene is an adventure and a story in and of itself. |
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© Sebastian Copeland |
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De Pôle en Pôle: Un Monde qui Disparaît
grande ré́trospective photographique
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daily 24h |
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Sur le fleuve Amour près de Blagovechtchensk, 1991 © Claudine Doury |
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David Fathi, Les Morts Gouvernent Les Vivants, 2018 © David Fathi |
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The Dead Govern the Living
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Opening Thu 6 Nov 18:00
Tue-Sat 14-19:00 |
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Taro Karibe, Life-Forms ©Taro Karibe |
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Opening: Tue 6 Nov 18:00
Tue-Sat 11-13 + 14-19:00 |
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Exhibitions Paris 10e | 11e Arr. (Selection) |
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JOHN CHIARA
Martin Luther King at Leflore-V3, 2015,
from the Mississippi series
Image on Ilfochrome paper
106 x 88.5 cm, unique photograph
© John Chiara courtesy ROSEGALLERY |
JOHN CHIARA
Bundy at Armacost (Variation B), 2012
from the California series
Image on Ilfochrome paper
84 x 66 cm, unique photograph
© John Chiara courtesy ROSEGALLERY |
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Tue-Sat 12-19:00 |
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Galerie Miranda is very proud to present the exhibition California/Mississippi by San Francisco-based artist John Chiara (b. 1971). Since 2004 Chiara has used photography to pursue the metaphorical association between memory and place, “Photography has a long a complicated relationship with memory, which seems to always be in flux. Memories are unbound, with divergent edges. You have to move around in them to get to points of clarity. ... As time passes, the tie to what the memory was originally linked to can loosen, but the visual image remains.”
The exhibition will present selected works from two landmark series in the artist’s practice, distinguished by its incredible physicality due to the transport and handling of the giant cameras built by the artist. The design of the cameras allows the artist to simultaneously shoot and perform his darkroom work from within the camera itself and his images are recorded directly onto oversized photosensitive paper (not film). This process invites anomalies in his final prints that create a rawness but also a lyricism in his pictures.
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Novogen © Daniel Szalai |
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Gare du Nord train station and at Paris Photo
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daily 24h
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Exhibitions Paris 7e | 14e | 15e | 16e Arr. (Selection) |
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| Works from the Foam Collection |
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Open daily: 12 - 18:00 |
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FOAM TALK: Friday 9 November 2018, 10:00 - 11:15
Curators, artists and educators will discuss ideas on collecting and
presenting photography in light of current developments of the medium.
ADMISSION: Free, reservation required |
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Foam is proud to present Reflected – Works from the Foam Collection at Atelier Néerlandais, Paris, an exhibition of works selected from its own collection
Foam has been collecting photography actively since 2007, and now comprises around 550 works. Films and photography-related installations are also well represented. The collection is an active and dynamic part of Foam and a reflection of its exhibition programme, in which the emphasis is placed on the support, signalling and presentation of young talents. Foam follows the careers of these young talents, which may also result in further acquisitions. This policy ensures that Foam’s collection provides an accurate image of the most recent developments within the expansive field of photography. The works that have been selected for this collection exhibition clearly do justice to this policy.
In an early stage of their career, Foam has acquired photographs by now internationally acclaimed artists such as Stephen Gill, Taryn Simon, Pieter Hugo and Alex Prager, and of important Dutch photographers such as Daniëlle van Ark, Blommers & Schumm, Gert Jan Kocken, Misha de Ridder and Viviane Sassen. Considered second and third purchases provide depth and weight to the collection. Therefore it is an outspoken contemporary collection that pays tribute to the work of young and promising photographers and that clearly focuses on the future, and not, like many other collections, on the past. |
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Grete Stern; ¿Quién será? Sueños #7, Los sueños del espejo, Idilio n°17, 1949. © Galería Jorge Mara - La Ruche |
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Mon-Fri 10-20, Sat 14-18:00 |
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Anna Mariani
Façades series, 1973-86 Xique-Xique, Bahia, Brazil 1979
Inkjet print
Collection of the artist
© Anna Mariani |
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| Metamorfosis, 2016 © Isabel Muñoz, courtesy Galerie Esther Woerdehoff |
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The Anthropology of Feelings / Fragments |
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Wednesday-Saturday, from 12:00 to 19:00
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Paris Photo: In addition to her exhibition at the gallery, Esther Woerdehoff will also present a selection of recent works by Isabel Muñoz at Paris Photo Prismes section and her new book: The Anthropology of Feelings. |
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How not see a network of close interconnexions between several worlds in Su dance, Shiite rituals, Peul scari cations. The reduction of photography to the documentary form prevents access to a universe, that of a human community which turns sacri ce into the supreme act of knowledge. The exuberance and pleasure experienced in the solitude of pain pay tribute to the dead and the gods. Serenity and ecstasy are at the end of the journey of abandonment and violence.
If it is true that these “transmitters” are recognisable for their excess and that they show appearances which we consider grotesque, this is the price at
which the body rises. We cannot access the other world without disincarnating ourselves in ours. Because they accept to become an instrument of higher powers; by offering themselves to them, Isabel Muñoz’s subjects can rejoin their ancestors, whether real or mythical. |
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Une journée à la plage
Bonnet de bain par Radium
Karin Mossberg
Gizeh 1966
© F.C. Gundlach Foundation |
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Thu-Fri 10-19:00, Sat 9-19:00,
Sun 10-19:00, Mon 10-18:00 |
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Exhibitions Paris 8e | 9e Arr. (Selection) |
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Barbara Probst, Exposure #124, Brooklyn, Industria Studios, 39 South 5th St, 04.13.17, 10:39 pm, 2017
Ultrachrome ink on cotton paper, 2 parts: 168 x 112 cm | 66 x 44 inches each, edition of 5
Courtesy of the artist and Galerie Kuckei + Kuckei, Berlin |
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The JPMorgan Chase Art Collection
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The New York Times: HardTruths |
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LEICA OSKAR BARNACK AWARDS |
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Opening: Wed 7 Nov
Thu-Sat 12-20, Sun 12-19:00 |
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image left: © Yvette Blumenfeld Georges Deeton, Courtesy Howard Greenberg Gallery, Art+Commerce, NYC
image right: Op Art-Fashion – Modell Lend, Paris, 1966 © F. C. Gundlach |
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| Hommage à F.C. Gundlach, Photographe et Collectionneur |
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| 3 – 8 November 2018 |
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F.C. Gundlach arrives in Paris at the beginning of the 1950s. A breathless, restless metropolis and an attraction for cultural workers from all over the world. For the network of metropolitan bohemians, cafés such as the "Flore" are meeting places and centers of literary and philosophical exchange. The young photographer F.C. Gundlach finds his world of motifs in the city, between bistros and boulevards and among the protagonists of the cultural scene. The fashionable metropolis is, of course, also a fashion city and Parisian haute couture becomes his defining influence; here F.C. Gundlach finds the subject of his success – fashion photography. In 1952, F.C. Gundlach photographed "Dior in Paris" for Elegante Welt. Since then, the names of the major Parisian fashion regularly appear in the collections photographed by F.C. Gundlach: Chanel, Jacques Fath, Yves Saint Laurent, Pierre Cardin and many others.
F.C. Gundlach's role models Irving Penn and Richard Avedon also came to Paris for the big fashion shows. Already in the 1940s Avedon photographed the Paris couture collections for American fashion magazines. It was precisely these photographs that motivated F.C. Gundlach as a young man in the Amerika-Haus in Stuttgart to tear pages out of Vogue and Harper's Bazaar enthusiastically.
F.C. Gundlach quickly developed his own visual language, photographed changes in fashion and society over the following four decades, and created an enormous photographic oeuvre. As a commissioned photographer, his end product was the printed image in the editorial fashion sections of the magazines. His photographs satisfy the aesthetic claim he formulated himself, “to interpret the line of a new fashion in the pictorial repre… |
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Valérie Jouve, Sans titre (Mey Semtati)
© Valérie Jouve
Courtoisie de l’artiste et de la Galerie Xippas Paris.
Adagp 2018. |
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Exhibitions Paris 12e | 13e Arr. (Selection) |
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© Gaia Squarci |
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Opening: Thu 8 Nov 19:00
by appt |
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Paul Nadar, Sarah Bernhardt dans Pierrot assassin, 1883
BnF, dép. Estampes et photographie |
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Les Nadar, une légende photographique
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16 Oct 2018 – 3 Feb 2019
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Exhibitions Paris 18e | 19e | 20e Arr. (Selection) |
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18e | 6, Impasse de la Défense |
LE BAL
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| New York, 1960 © Dave Heath Courtesy Howard Greenberg Gallery, New York et Stephen Bulger Gallery, Toronto |
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Dave Heath » Dialogues with Solitudes
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Wed 12-22:00, Thu-Sun 12-19:00
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Au BAL Books pendant Paris Photo !
PROVOKE & THE HISTORY OF JAPANESE PHOTO MAGAZINES
CONFERENCE & BOOK LAUNCH: SATURDAY, NOVEMBER 10 - 19:30
BOOK SIGNINGS: SATURDAY, NOVEMBER 10, 17:30
Richard Kalvar - Photo Poche
18:00 : Eamonn Doyle - K, Shane Lavalette - Still (Noon), Shane Lynam - Fifty High seasons, Virginie Rebetez - Malleus Maleficarum
SUNDAY, NOVEMBER 11, 16:00 : Louis Matton - Objets autonomes, Marguerite Bornhauser - 8
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“A Dialogue With Solitude is a self-portrait, the result of a quest for anonymous figures in whom I recognize myself.”
- Dave Heath
Dave Heath occupies a unique place in the history of American photography. Influenced by W. Eugene Smith and the photographers of the Chicago School, including Aaron Siskind and Harry Callahan, he cannot, however, be considered as either a documentary or an experimental photographer. His photography is above all a way of bearing witness to his presence in the world by recognizing an alter ego in others absorbed in their inner torment. He was one of the first, in the 1950s, to express the sense of alienation and isolation inherent to modern society in such a radical manner.
Abandoned by his parents at the age of four in 1935, Dave Heath had a difficult childhood in Philadelphia, spent in orphanages and foster homes. At fifteen, a photo essay in Life on a young orphan in Seattle, “Bad Boy’s Story” by Ralph Crane, was to have a decisive impact on his future: “I immediately recognized myself in this story and photography as my means of expression.”
In 1952, when he was twenty-one years old, Dave Heath was enlisted in the army and sent to Korea as a machine gunner. There he captured his first “inner landscapes”, photographing fellow soldiers outside the battlefields, in intimate, self-absorbed moments, while striving to grasp “the vulnerability of a consciousness turned inwards.”
American street scenes in Philadelphia, Chicago, and New York (where he settled in 1957), allowed him to refine his search. Rather than simply capturing a scene or an event – almost all of his photographs give no indication of location, date, or action &ndash… |
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| Yuri Kozyrev – NOOR for Fondation Carmignac |
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CARMIGNAC PHOTOJOURNALISM AWARD – 9th EDITION |
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Arctic : New Frontier |
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Tue-Sat 10am–6pm, Sun 10am–7pm
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Dedicated to the Arctic and chaired by Jean Jouzel, and under the patronage of Minister Ségolène Royal, French Ambassador for the Arctic and Antarctic Poles, the 9th edition of the Carmignac Photojournalism Award was awarded to Yuri Kozyrev and Kadir Van Lohuizen (NOOR).
Their investigative photoreportage «Arctic: New Frontier» is a pioneering double expedition which explores the effects of climate change on the entire Arctic territory. They want to experience the dramatic transformation of natural landscapes and the demographics in the Arctic, and the impact of these changes on the lives of the region’s inhabitants.
“The photos of Yuri Kozyrev and Kadir van Lohuizen are superb. Through them, from Siberia, Svalbard and Greenland to Canada and Alaska, we discover the Arctic of today, with its landscapes and wildlife that are drawing a growing number of tourists, as well as its populations who are exposed to extreme climates and who mine resources such as nickel and, increasingly, gas, oil and coal. Protecting the environment does not appear central to their activity, to put it mildly.”
— Jean Jouzel, climatologist, winner of the 2012 Vetlesen Award and co-winner of the 2007 Nobel Peace Award as Director of the IPCC
For the very first time, two photojournalists have simultaneously covered the irreversible changes that have taken place in the Arctic, to bear witness to the effects of the melting of the ice-caps. |
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Untitled (assignments), Elad Lassry, 2018
Impression numérique, détail, 27,94 x 35,56 cm
© Elad Lassry
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Wed-Fri 14-19, Sat/Sun 14-19:00 |
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Inscape Typologie 2018 © Bruno Fontana |
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Lighthouse Exhibition: The Red Studio
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Opening: Fri 9 Nov 18:00
Tue-Sun 13-20:00 |
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Shimabuku
Gift: Exhibition for the Monkeys, 1992
Cibachrome mounted on aluminium, text on paper
70 x 70 cm (image size)
Edition 4 of 5 + 2 AP |
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Pour les pieuvres, les singes et les Hommes
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Tue-Fri 14-18; Sat, Sun 14-19 |
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Auctions |
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146
Helmut NEWTON (1920-2004)
« Tour de Plongée, Old Beach Hotel », Monte Carlo, 1981
Tirage argentique d’époque, signé, titré et daté à l’encre, copyright de l’auteur au dos
100 x 100 cm, à vue, dans un cadre
20 000 / 30 000 € |
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PHOTOGRAPHIES |
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Collections & Propositions |
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| Auction: Tuesday 6 November 2018 14:30 CET
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Expert:
Christophe Gœury
Tel + 33 (0)6 16 02 64 91
chgoeury@gmail.com
Live bidding:
www.drouotlive.com
Public exhibitions:
SVV 3 rue Rossini – 75009 Paris, France
Saturday, 3 November 2018, from 11 am to 7 pm
Monday, 5 November 2018, from 11 am to 7 pm
Tuesday 6 November 2018 from 11 am to 12 noon
Online catalog:
www.millon.com
The catalog is available upon request from the Photography Department at the Millon Auction House
Contact and inquiries:
Natalia Raciborski
MILLON Photography Department
16 rue de la Grange Batelière - 75009 Paris
Tel + 33 (0)7 88 09 91 86
photographie@millon.com |
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The Collection of a French editor
With a large format vintage print, a solarization of calla lilies, by Man Ray from the 1930s, a manuscript written by Lucien Clergue explaining his technique, and several prints by Robert Doisneau… (Lot 99 - 15 000 / 20 000 €)
A curated selection of silver gelatin prints of the German and Suisse avant-garde, the Bauhaus, modernism… by Joost Schmidt, Josef Sudek, Hannes Meyer, Hans Finsler, Pal Funk Angelo, Charlotte Rudolph, Geza Vandor, Jolan Vadas, Károly Escher, Imre Kinszki, Elisabeth Hase, Milos Dohnanyi and unidentified photographers… (Lot 60 - 2 000 / 3 000 €)
A selection of French and American Humanist photographers of the 1950s, 60s and 70s: Henri Cartier-Bresson, Aaron Siskind, Robert Doisneau, André Kertész, Izis, René Burri… as well as a selection of modern and contemporary photographers: Robert Mapplethorpe, Roy Decarava, Christer Strömholm, Helmut Newton, Peter Lindbergh, Jeanloup Sieff, Eric Marrian, Martin Parr… (Lot 144 - 18 000 / 20 000 €, Lot 145 - 15 000 / 20 000 €)
Two English collections of contemporary photography: Ed Feingersh, Jan Lauschmann, Sammy Slabbinck, Miroslav Tichý, Hisaji Hara, Andrew Lanyon, Newsha Tavakolian, Hassan Sarbakhshian, Heidi Bradner, Nikos Economopoulos, Jack Spencer, Petrina Hicks, Frank Hunter and many others… |
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Lot 212
HIROSHI SUGIMOTO (B. 1948)
Church of the Light, 1997
Gelatin silver print, flush-mounted on board
58 ¾ x 47 in. (148.5 x 119.2 cm.)
€100,000–150,000
© Hiroshi Sugimoto |
Lot 209
HIROSHI SUGIMOTO (B. 1948)
Brooklyn Bridge, 2001
Gelatin silver print, flush-mounted on board
58 ¾ x 47 in. (148.5 x 119.2 cm.)
€120,000–180,000
© Hiroshi Sugimoto |
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Hiroshi Sugimoto Photographs : The Fossilization of Time |
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Auction: Thursday 8 November 2018, 6pm
Viewing:
Sat 3 Nov |
Mon 5 Nov |
Tue 6 Nov |
Wed 7 Nov : 10am – 6pm
Thu 8 November, 10am – 12pm
E-catalogue: www.christies.com/salelanding
Contact: Elodie Morel, Head of Department
+33 (0) 1 40 76 84 16
emorel@christies.com |
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As part of Paris Photo, Christie's France will organize three events around photography. The department will present for the first time, on November 8, a monographic sale dedicated to the Japanese photographer Hiroshi Sugimoto. This sale, part of this 160th anniversary celebrating the diplomatic and artistic relations between Japan and France, will also coincide with Sugimoto's current exhibition at the Château de Versailles, from 16 October 2018 to 17 February 2019.
The sale dedicated to Hiroshi Sugimoto is a retrospective of his work, bringing together twenty-nine photographs with a global estimate of €1.5 to 2 million, representing the different themes he explored. |
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Lot 34
IMOGEN CUNNINGHAM (1883–1976)
Unmade bed, 1957
Gelatin silver print mounted on board
10 ¼ x 13 ⅜ in. (26 x 34 cm.)
€40,000–60,000 |
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PHOTOGRAPHIES |
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Auction: Thursday 8 November 2018, 3pm
Viewing:
Sat 3 Nov |
Mon 5 Nov |
Tue 6 Nov |
Wed 7 Nov : 10am – 6pm
Thu 8 November, 10am – 12pm
E-catalogue: www.christies.com/salelanding
Contact: Elodie Morel, Head of Department
+33 (0) 1 40 76 84 16
emorel@christies.com |
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As part of the Paris Photo fair taking in place in November, three events will be hosted by Christie’s including a monographic sale dedicated to Japanese photographer Hiroshi Sugimoto (press release attached), on 8th November 2018.
A general sale dedicated this year to contemporary photography and composed of 104 lots will be organised the same day. Visitors will have the opportunity to discover a fashion photography exhibition showcasing nearly fifty photographs by F.C. Gundlach and works from his personal collection.
For each sale, the Photographs department directed by Elodie Morel, selects high quality corpus including a series of 7 ethnographic portraits by Irving Penn, in which the aesthetics and the care taken to stage the scene, prevail over the historical and sociological character of the indigenous populations. In 1970, Penn traveled to Papua New Guinea. He first visited the tribal village of Bena, not far from the city of Goroka, where he took pictures of the natives and their traditional accessories: bilas (shell ornaments) as in Seated Warrior, Sitting Girl (€20,000- 25,000), or feathers and fur decorations. In the Asaro Valley, Penn immortalized naked men with clay masks, performers of a tribal dance organised by the Australian colonizers in 1957, as in Three Asaro Mudmen (€50,000-70,000).
The portraits, shooted in itinerant studios located in different villages, revealed more attention to details, ornaments, skin textures, and clearly emphasized by the beauty of platinum prints.
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233.
Brassaï
Transmutations, 1934-1935.
Rare complete set of 12 gelatin silver prints (printed by Claudine Sudre in 1967).
30 x 24 cm |
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Photographs & photobooks
Photographies et livres de photographies |
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Hôtel des Ventes Drouot | Salle 11
Drouot-Richelieu | 9, rue Drouot 75009 Paris |
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Keepsake Photographique album and Blanquart-Evrard publications.
Nadar signboard and rare sets on the interview of Eugene Chevreul by Félix Nadar, catacombs and sewers.
33 remarkable carbon prints large format by Adolphe Braun
Archives on the work of Etienne Carjat
Claudine & Jean-Pierre Sudre collection
Exceptional set of Brassaï (Transmutations & Graffiti)
Rare pigment print of Frantisek Drtikol
Photobooks by Brassaï, Robert Frank, Roni Horn, Daido Moriyama, Helmut Newton, Martin Parr and others including a portfolio of Hiroshi Sugimoto, Time Exposed.
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8e | 76 rue du Faubourg Saint-Honor |
Sotheby's
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| Art Fairs |
