One of the hallmarks of the work of the Brazilian artist Jonathas de Andrade is the fact that it stems from the activation of a collective. The artist throws out a proposal to a group of people so that each of them, from their own idiosyncrasies, can perform exercises that expand the contexts and realities in which these groups operate. This ability to prefigure possible futures through the confrontation of bodies makes his works close but at the same time open the series offered as part of the …
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