Yto Barrada’s exhibition The Sample Book presents a new body of work that builds on the artist’s recent major cycle Faux Guide and her study of fossils in Morocco. In her 2015 film essay Faux Départ (False Start), Barrada takes viewers on a journey through the parallel economy of paleontological excavation sites and "dinosaur tourism" between the Atlas mountains and the Sahara desert, once an inland sea. The 'preparators' who unearth, work up—and some…
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