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Exhibitions of Ulrike Ottinger at Johanna Breede PHOTOKUNST

Johanna BreedeDE

Johanna Breede PHOTOKUNST
Fasanenstr. 69
10719 Berlin

+49 (0)30-88913590


www.johanna-breede.com

Tue-Fri 11-17, Sat 11-14

WOMEN ONLY

WOMEN ONLY

24 Jun – 14 Oct 2023
There is no single female gaze. When women look at women, the gazes are as varied as the personalities of the photographers and their models - anyone visiting Johanna Breede's gallery this summer can see this for themselves. We encounter tender glances and encouraging ones, those that look cautiously behind façades and those that are thrown at a person as if casually catching a glimpse. On the gallery walls in Berlin's Fasanenstraße, it is mainly silent glances from wome…

Johanna BreedeDE

Johanna Breede PHOTOKUNST
Fasanenstr. 69
10719 Berlin

+49 (0)30-88913590


www.johanna-breede.com

Tue-Fri 11-17, Sat 11-14

HERBST

HERBST

29 Sep – 18 Nov 2022
Autumn divides the minds - and the spirits. For some, late September marks the beginning of the uncomfortable, cold time of the year. The days become shorter, the world outside grayer. But for others, autumn is a season as underrated as it is inspiring, full of color, emotion and romance. A simultaneity that many poets have written about. In Hoffmann von Fallersleben, autumn comes with rich gifts and distributes them cheerfully. In Rilke, the last sweetness is chased into the heavy wine. In Ro…

Johanna BreedeDE

Johanna Breede PHOTOKUNST
Fasanenstr. 69
10719 Berlin

+49 (0)30-88913590


www.johanna-breede.com

Tue-Fri 11-17, Sat 11-14

SPRING / FRÜHLING

SPRING / FRÜHLING

31 Mar – 10 Jun 2022
Spring means promise. The last March storms have long since blown away the previous year. The days are green again. Nature is lavish once more. It shakes us out of our winter dormancy and points us towards cheer, light and love. Spring has also arrived on Fasanenstraße, as is evident in Johanna Breede’s luminous gallery. On one wall, a couple is kissing - it is 1955 and the Munich photographer Stefan Moses is walking through the world with observing eyes and an open camera lens.…

Johanna BreedeDE

Johanna Breede PHOTOKUNST
Fasanenstr. 69
10719 Berlin

+49 (0)30-88913590


www.johanna-breede.com

Tue-Fri 11-17, Sat 11-14

WINTER

WINTER

23 Nov 2021 – 11 Mar 2022
Winter, those are memories. The crunching of deep firn under the boots; wondrous ice flowers on the window panes; the sweet sightings of early snowdrops. But above all, winter is the season when the world becomes quieter. Thomas Mann once caressed a snow-covered mountain landscape with his words as "padded soundlessness". It is not only the world that becomes quieter, but also the colours. Grey light, white fields, black branches. The paint of winter is as monochrome as it is rich in c…

Johanna BreedeDE

Johanna Breede PHOTOKUNST
Fasanenstr. 69
10719 Berlin

+49 (0)30-88913590


www.johanna-breede.com

Tue-Fri 11-17, Sat 11-14

UNTITLED

UNTITLED

29 Jun – 13 Nov 2021
When the gallery doors open again after more than a year of Corona restrictions and lockdowns, the question arises: what have we missed the most? What have we suffered the most from? Under the most modest of all titles, Johanna Breede's UNTITLED invites us to a concert of wishes that holds a whole grab bag of answers. Here "untitled" does not mean without a concept, but rather elevates the greatest possible freedom, for which we have longed for so long. It is the freedom of choic…

Johanna BreedeDE

Johanna Breede PHOTOKUNST
Fasanenstr. 69
10719 Berlin

+49 (0)30-88913590


www.johanna-breede.com

Tue-Fri 11-17, Sat 11-14

BEHIND THE SCENES / HINTER DEN KULISSEN

BEHIND THE SCENES / HINTER DEN KULISSEN

15 Feb – 13 Mar 2020
The day the pictures learned to walk was a Friday. The brothers Auguste and Louis Lumière, soon celebrated all over the world as the inventors of the cinema release, had invited to the Paris Société d'encouragement pour l'industrie to set the light image in motion. It was March 22, 1895, when the whole world was to see it - as if photography had been given a kind of breath. The new cinematograph, in any case, kept them on their toes. And since then sh…

Johanna BreedeDE

Johanna Breede PHOTOKUNST
Fasanenstr. 69
10719 Berlin

+49 (0)30-88913590


www.johanna-breede.com

Tue-Fri 11-17, Sat 11-14

MAGIC OF SILENCE / MAGIE DER STILLE

MAGIC OF SILENCE / MAGIE DER STILLE

23 Feb – 29 May 2019
It is the year 1969: In the French Church of St. Moritz, Herbert von Karajan, then Chief Conductor of the Berliner Philharmoniker, conducts Arthur Honegger's Symphony no. 2. The exact circumstances of the concert are not known. The only thing that remains is the silence. Robert Lebeck has sculpted them on a minimalist composition of light and shadow. But each before and after is cut off: only the genius and the great silence; the moment between two sentences, between two bars or two notes. …

Johanna BreedeDE

Johanna Breede PHOTOKUNST
Fasanenstr. 69
10719 Berlin

+49 (0)30-88913590


www.johanna-breede.com

Tue-Fri 11-17, Sat 11-14

FAVORITE IMAGES / LIEBLINGSBILDER

FAVORITE IMAGES / LIEBLINGSBILDER

1 Mar – 30 Jun 2017
Love loves small things. Love doesn't seek big pathos or emphasis. Love hides in the profane; in the shiny shoes in which one has journeyed or in the perfect fold of a beautiful dress. The really big things often lurk in the smallest of details. "I believe," the American poet Walt Whitman once wrote, "a leaf of grass is no less than the journey-work of the stars." It is a poetry of dignity and nuance. This is a credo about the interplay of all things and the reverberati…

Johanna BreedeDE

Johanna Breede PHOTOKUNST
Fasanenstr. 69
10719 Berlin

+49 (0)30-88913590


www.johanna-breede.com

Tue-Fri 11-17, Sat 11-14

CHAMISSOS SCHATTEN

CHAMISSOS SCHATTEN

Ausstellung anläßlich der Neuerscheinung des Künstlerbuches und der Sonderedition

9 Feb – 19 Feb 2017
Ein Jahr nachdem Ulrike Ottingers jüngster Film "CHAMISSOS SCHATTEN" im Rahmen des Berlinale Forum uraufgeführt wurde, erscheint am 31. Januar 2017 die Künstleredition "CHAMISSOS SCHATTEN" Künstlerbuch - Katalog - DVD. Die in vier Teile großangelegte filmische Expedition in das nördliche Eismeer, an die äußerste Ostküste Russlands, entlang der Halbinsel Kamtschatka sowie deren geografischen Brücke hinüber nach A…

Johanna BreedeDE

Johanna Breede PHOTOKUNST
Fasanenstr. 69
10719 Berlin

+49 (0)30-88913590


www.johanna-breede.com

Tue-Fri 11-17, Sat 11-14

Vis-à-Vis

Vis-à-Vis

7 May – 8 Jul 2016
There is no photography. There is always only the photograph which gazes back at the viewer. Sometimes with a careful, tentative and questioning look; sometimes with a brisk or hasty glance. But it always offers something: an invitation to brief conversations. The viewer always looks, and the photograph, full of curiosity, gazes back. As in 1966, when the German reportage photographer Robert Lebeck took a portrait of the former German chancellor Konrad Adenauer at his 90th birthday celebration …

Johanna BreedeDE

Johanna Breede PHOTOKUNST
Fasanenstr. 69
10719 Berlin

+49 (0)30-88913590


www.johanna-breede.com

Tue-Fri 11-17, Sat 11-14

Chamisso's Shadow / Chamissos Schatten

Chamisso's Shadow / Chamissos Schatten

5 Dec 2015 – 27 Feb 2016
The world is disrupted. Behind familiarity there is often the unknown; behind the present history extends itself. Wherever there is light there is also shadow - a discrepancy which is difficult to bear. From here to there it is often only a jump. Only a few manage to make exactly this jump to the homeland; to build a house on the cracks and borders. One who did manage this jump is the German-French naturalist and poet Adelbert von Chamisso. In an either/or situation he tried the third option. …

Johanna BreedeDE

Johanna Breede PHOTOKUNST
Fasanenstr. 69
10719 Berlin

+49 (0)30-88913590


www.johanna-breede.com

Tue-Fri 11-17, Sat 11-14

THE WINDOW - DAS FENSTER

THE WINDOW - DAS FENSTER

21 Mar – 13 Jun 2015
We alone are the insiders of our interior worlds. Within ourselves we feel safe and yet often isolated and sealed off. At the same time, hope is almost always contained therein: evident itself in windows, in the gates of the eyes. Each window is a link, a step between the interior and the exterior. The window functions just as with the lens of a camera - it is the point between the camera obscura and the outside. The point where light breaks through and illuminates another world. A…

Johanna BreedeDE

Johanna Breede PHOTOKUNST
Fasanenstr. 69
10719 Berlin

+49 (0)30-88913590


www.johanna-breede.com

Tue-Fri 11-17, Sat 11-14

MEN / MÄNNER

MEN / MÄNNER

18 Jan – 15 Mar 2014
It’s a man’s world. James Brown even sang a song about it. Men were the ones who had invented cars, trains and ships. Men were the born creators. The “King of Soul” failed to mention however that it was also men who invented photography; men, who first created artificial images from light and chemicals. Technically enthusiastic homo faber. It was small wonder that such types initially found themselves mostly behind rather than in front of their new inventions; where the…

Johanna BreedeDE

Johanna Breede PHOTOKUNST
Fasanenstr. 69
10719 Berlin

+49 (0)30-88913590


www.johanna-breede.com

Tue-Fri 11-17, Sat 11-14

UNTER SCHNEE / UNDER SNOW

UNTER SCHNEE / UNDER SNOW

Japan 2011

29 Nov 2013 – 11 Jan 2014
Wer geht, lässt los. Wer geht, kappt alte Haltepunkte; verlässt Vertrautes und folgt seiner Vision. Erst wo das Alte rückwärtig am Horizont verschwindet, scheinen neue Lösungen möglich zu werden. „Das Wissen kommt von den Sohlen“, heißt es in Werner Herzogs Reisebeschreibung „Vom Gehen im Eis“. Wandern ist eben immer auch Wandlung; ist Lebenslauf; ist Loslassung. Von einer solchen Metamorphose beim Gehen erzählt auch Ulrike Ottinge…

Johanna BreedeDE

Johanna Breede PHOTOKUNST
Fasanenstr. 69
10719 Berlin

+49 (0)30-88913590


www.johanna-breede.com

Tue-Fri 11-17, Sat 11-14

THE NEW IN THE OLD THE OLD IN THE NEW

THE NEW IN THE OLD THE OLD IN THE NEW

China: 1985     Japan: 2011

7 Sep – 23 Nov 2013
A retoucher’s workshop: a table in the window, which is both light source and shop window. His retoucher’s pen in his right hand, he leans over a portrait photo, comparing the fruits of his labour with a small photographic original. On the table, other pens or brushes lie ready, next to magnifying glasses and all kinds of boxes, tins and phials. The retoucher’s face is unseen, yet the overall picture is one of the greatest precision and an almost meditative absorption.